(Hard Rock,Heavy Metal) Alice Cooper – No More Mr. Nice Guy Live! [2CD] – 2012, MP3, 320 kbps

HardRockHeavyMetalAliceCooper NoMoreMrNiceGuyLive2CD 2012MP3320kbps (Hard Rock,Heavy Metal) Alice Cooper – No More Mr. Nice Guy Live! [2CD] – 2012, MP3, 320 kbps

Artist: Alice CooperTitle: No More Mr. Nice Guy Live! [2CD]Genre: Hard Rock,Heavy MetalRelease date: 2012Audio codec: MP3Format: tracksQuality: 320 kbpsTime: 01:38:23

Tracklist:

CD 1:01. The Black Widow (05:09)02. Brutal Planet (04:57)03. I’m Eighteen (03:57)04. Under My Wheels (02:49)05. Billion Dollar Babies (03:25)06. No More Mr Nice Guy (03:03)07. Hey Stoopid (04:26)08. Is It My Body (02:46)09. Halo of Flies (11:47)

CD 2:01. I’ll Bite Your Face Off (04:41)02. Muscle of Love (05:20)03. Only Women Bleed (03:47)04. Cold Ethyl (03:48)05. Feed My Frankenstein (05:05)06. Clones (03:54)07. Poison (04:52)08. Wicked Young Man (04:20)09. I Love The Dead (02:20)10. School’s Out (05:31)11. Elected (05:10)12. Fire (Jimi Hendrix) (with Arthur Brown) (05:35)

Download[uploaded]:(Hard Rock,Heavy Metal) Alice Cooper – No More Mr. Nice Guy Live! [2CD] – 2012, MP3, 320 kbpsDownload[letitbit]:(Hard Rock,Heavy Metal) Alice Cooper – No More Mr. Nice Guy Live! [2CD] – 2012, MP3, 320 kbps

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Search for NZ cricket’s golden bowler continues

1329698228 69 Search for NZ crickets golden bowler continuesMARK REASON

OPINION: Last week the alchemist Brendon Bracewell came to Rathkeale College, a charmed place for cricket, with a speed gun. He wanted to turn base metal into gold. Somewhere out there in New Zealand is the once and future king, the boy who will become myth, a fast bowler to haunt the dreams of batsmen.

Yes, it’s romantic stuff, but that’s the nature of cricket. No sport has so wide a gap between the reality and the perception. Fast bowling is bloody hard work. It is also a thing of shimmering beauty.

The great divide between hard yakka and that menacing state of grace is why the great fast bowlers of history – a line from Harold Larwood through Michael Holding and Richard Hadlee to the present day – now seem immortals.

Larwood, the English bowler from between the wars, came out of the Nottingham pits to terrorise the world. He was timed at over 160kmh. Duncan Hamilton writes in his wonderful biography that a few overs of Larwood at his fastest were like a public stoning.

Asked about the secret of fast bowling Larwood said: “Practise and then practise again. Too many cricketers don’t practise hard or long enough.” The mythical secrets were a childhood spent walking 16 kilometres a day, a barrel of beer and a slice of Red Leicester at lunch and a pinch of snuff out of the left trouser pocket before he bowled.

Larwood was like “the slaughterman in the abattoir” and “keeper George Duckworth used to put raw strips of beef in his gloves to soften the blow of the ball. George Brown wore a woman’s padded cloche hat for protection and No11 Horace Hazell walked to the crease humming Nearer my God to Thee.

The Aussies sang about Larwood: “Oh, they’d be a lot calmer, In Ned Kelly’s armour, When Larwood the wrecker begins.” Years later Bruce Edgar got his mother to sew up a chest pad and he made his own thigh pad with extra foam in order to face the West Indies bowlers.

Edgar said: “The challenge was beating the fear factor so you could focus on playing as opposed to being scared.” Even Don Bradman was accused of being “yellow” as on and on through history galloped the horsemen of the fast bowling Apocalypse.

Lillee and Thomson ran in like War and Death, Wasim Akram and Imran Khan and Waqar Younis gave out nothing but pain with their crushing reverse swing. But above them all stand the great West Indies bowlers who dominated world cricket from the late 1970s through to the 1990s.

They are immortalised in the film Fire in Babylon. Watch it if you can – not for the rather tedious retrospective abasement of liberal post-colonial guilt, but for the sheer thrill of watching these men tear the souls out of the cowering batsmen.

Colin Croft remembers: “We were called terrorists.” And so they were, but not before the Windies had been battered and humiliated by Thomson and Lillee in Australia and by the racist chorus of the crowds.

Greg Chappell, the Australian captain at the time, said: “Fast bowlers all through history have been the difference between a good side and a great side. Thomson and Lillee are great bowlers.”

So they were, and so were Andy Roberts, Michael Holding, Colin Croft, Joel Garner, Ian Bishop, Malcolm Marshall, Courtney Walsh, Curtly Ambrose, Patrick Patterson, Winston Benjamin and Wayne Daniel. That’s a complete team of terror.

Holding was known as “whispering death” because, like Larwood, he had the softest of approaches to the wicket. Roberts just looked mean. He said: “I am a warrior. Never show emotion so nobody knows what to expect.”

Roberts was also tagged the hitman. “I didn’t go out to hit people, just that a lot of people got hit.” Like Colin Cowdrey, Sadiq Mohammed, Majid Khan, all of whom suffered stress fractures of the cheek bone.

It is also worth remembering that the West Indies became the fittest team the world has known. As Hadlee said: “The success of any fast bowler depends on an efficient technique, superb fitness, wonderful skills and a big heart to dig deep in trying conditions when the batsman is dominant.”

I look at that list and I wonder. New Zealand has produced Hadlee and Shane Bond (sadly only 17 tests) in recent years, but who is next? Why hasn’t the Maori or Pacific community produced a great New Zealand fast bowler? Their explosive power is evident in the All Blacks.

Is it cultural? Do those communities turn to baseball and softball in the summer months? Is it that cricket lacked money until recent years? Is it declining numbers, a lack of opportunity in schools and a legacy of the exclusive colonial past?

I don’t know, but somewhere out there must be a great fast bowler. Somewhere out there must be a boy who wants to set fire to the world.

– © Fairfax NZ News

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Where there’s a Will Haven . . .

1329471431 46 Where theres a Will Haven . . .

Remembering what metal used to be is a time-honored tradition for Ventura metalheads who crowd dives and small venues on a regular basis looking for that seemingly lost energy. Since the exodus of originals disbanding to start solo projects, or to jump in line to be the next celebrity drummer, metal just hasn’t had the kind of resurgence that punk has recently seen. That isn’t to say that metal is dead. Metal can never die, and the proof is in the long-lasting Will Haven, which will be dropping by Billy O’s this Friday.

Founded in 1995, Will Haven – not a person, but a fictional character created by the band – was the kind of metal band that was pieced together from other pieced-together metal bands. The original lineup included former members of metal staple Sock, and came to prominence alongside the Deftones, Slipknot, Far and Ghostride but distinguished itself by being content with flying under the radar – the band never achieved the commercial success that found its counterparts. Will Haven played for the sake of metal.

It wasn’t until 1999 that Will Haven found moderate success with the album WHVN, a pinnacle of noise metal that earned it a headlining spot in the Australian Vans Warped Tour and saw its fan base expand. Vocalist Grady Avenell worked alongside Chino Moreno of the Deftones on various projects, including a slightly more metal edition of Do They Know It’s Christmas? as well as guesting on a number of Far singles.

But for Will Haven, stepping into the upper echelon of metal acts wasn’t to be – Avenell left the band after the band’s largest tour to date, and the rest scattered, seemingly lost to the ever-churning grinder of metal. For three years, Will Haven ceased to be.

Much as the Phoenix rises from the ashes, Will Haven managed to resurrect itself in 2005, with many original members returning. Grady Avenell, the on-and-off-again vocalist, would leave once more, replaced by Red Tape’s Jeff Jaworski, only to return in 2010 to complete the current lineup.

When Will Haven arrives in Ventura, it will bring both its varied experience as a patchwork art project and a load of new material. The latest, Voir Dire, released in October of last year, dropped to both critical and fan acclaim and is the first album to feature Grady Avenell since 2001’s Carpe Diem.

The current lineup consists of Grady Avenell alongside guitarist Jeff Irwin, drummer Mitch Wheeler, former drummer of Slipknot turned bassist Chris Fehn, guitarist Anthony Paganelli and Adrien Contreras on keyboards.

Alongside Will Haven will be newly formed Fake Figures, whose members are also veterans of the scene. Another Frankenstein’s monster of a band, Fake Figures consists of Travis Miguel of Atreyu, Russ Martin of Hotwire, Heather Baker of the Iron Maidens, Bob Bradley of Scars of Tomorrow and J Po of Nightfall.

Playing side by side, Will Haven and Fake Figures will showcase the generational gap between the old and the new – Will Haven’s paced, even and dirge-like noise is a staple of the ’90s, yet still relevant and just as hard-core as ever, while Fake Figures’ speedy, screaming melancholia is a product of youth born in the ’90s who grew up with Will Haven’s albums in their mothers’ cars.

Much as Sherlock Holmes studies a crime scene, metal heads can study both the differences and the similarities between the OGs and the new, each of which adds a unique voice to the somewhat sparse movement.  Will Haven, Fake Figures and War Widow will play for a 21-and-older crowd at Billy O’s on Friday, Feb. 3. Doors open at 9 p.m.

You can for example split in to two if you're are four as this will help you save money, especially if you are buying tickets from secondary markets.Bette Midler Concert Tickets -- Avoid Ticketing Booth Queues Bette Midler has endeared herself to generations of Broadway lovers through her comedy routines, singing talent, caustic wit (often directed at herself), and powerful movie roles. Her Voice Is Something Special. That should help you have long term success. He went on to say that We are Younger Cash might possibly be packaged with Rebirth. It is super how ordinary citizens cannot detail a child's play of a subject like this. Of course you chase down the concert tickets vendor but the phone goes unanswered by any real person and your emails go astray. There were thousands of fellow fans shouting and moving about franticly as they await the appearance of their favorite artist. Alan Jackson has thousands of fans worldwide. These tips in here will help you get a better deal for concert tickets and at the same time help protect yourself from internet scams. Some sellers will post an ad under the city of the venue, but others will post an ad under their local city; the two may not always be the same.

Ozzy Discusses Iommi’s Cancer Battle on Radio Station Launch ::Black Sabbath News ::antiMusic.com

02/09/2012 . (hennemusic) Since news of Black Sabbath guitarist Tony Iommi’s battle with cancer went public, the band has said very little, other than to encourage fans to send Iommi “good vibes” to help him through the process.

On Wednesday, Ozzy Osbourne launched his new SiruisXM channel, Ozzy’s Boneyard, a new classic hard rock and metal music channel.

For the occasion, Ozzy spoke about Iommi’s situation. “He needs more and more support, man,” said Ozzy. “He doesn’t have a brother, he doesn’t have a sister

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Soldiers of thrash metal catch Anthrax in Asheville

1329271031 99 Soldiers of thrash metal catch Anthrax in Asheville

BY TOM NETHERLANDSPECIAL TO THE HERALD COURIER

Amid the decline of disco and the rise of synthesized pop emerged a quartet of heavy metal thrash bands.

The year, 1981. The bands were Metallica and Slayer followed by Megadeth two years later. Oh yeah, and Anthrax. They’re now known as the Big Four, the four cornerstones of thrash metal.

Catch one of them, Anthrax, on Jan. 30 at the Orange Peel in nearby Asheville, N.C. Longtime metal band Testament along with Death Angel will open the show.

“Sorry you missed us in the ’80s?” said Charlie Benante, Anthrax’s drummer and lead songwriter since 1983. “I think we’re a great band.”

That’s reflected in part by the band’s longevity. Anthrax has endured litanies of trends and fads to the tune of 10 albums including last year’s widely hailed “Worship Music.”

“The greatest thing about the new album, people took to it like it was with them for a while,” Bernante said. “That’s a great thing. It’s so genuine.”

Anthrax long ago began weaving pop culture including Stephen King novels, comic books and entertainment icons such as late comedian John Belushi into their songs. That holds true with several songs from “Worship Music.”

Take the tune “In the End.” It’s dedicated to the late Dimebag Darrell of Pantera and heavy metal monument Ronnie James Dio.

“It’s an emotional little message that I hope they hear,” Bernante said. “Listening to their music, it’s inspiring. There’s not a day that goes by that I don’t listen to them. Music should make you have that buzz.”

Head-bang back to the beginnings of Anthrax. Little did they know then, but they set in motion what’s followed for 30 years with their very first single, “Soldiers of Metal.”

“That’s pretty cool. I never thought of it that way,” Bernante said. “It definitely had a different feel to it. The first thing on that record, you hear the double-kick (of Bernante’s drums), which is pretty much on all of our songs, and I’m really proud of that.”

That Bernante double-kick sounds like a one-two missile attack. It’s fast, it’s hard and it’s encompassing.

“It’s almost militant,” Bernante said.

You can certainly hear it on Anthrax’s seminal album “Among the Living.” Tracks therein include such heavy metal masterpieces as “Indians,” “Caught in the Mosh” and “I’m the Man.” Each one of those tunes represents chances taken. For example, the latter includes a rap and led to a collaboration with rap pioneers Public Enemy.

“We’ve been one of those bands that has taken chances, gone left field,” Bernante said. “But we never changed who we are.”

Imagine bulldozers run amok. They rev on rocket fuel, charge like the cavalry and fire mortars that do not miss. Suit ’em up, Anthrax, soldiers of metal.

“It definitely drives you,” Bernante said. “It punches you.”

Tom Netherland is a freelance writer. He may be reached at .

IF YOU GO

  • » Who: Anthrax, Testament and Death Angel
  • » When: Jan. 30, 7 p.m.
  • » Where: Orange Peel, 101 Biltmore Ave., Asheville, N.C.
  • » Admission: $32 advance, $35 at the door, $150 VIP treatment
  • » Info: (828) 225-5851
  • » Web/audio/video: anthrax.com
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Celebrating the glory days of thrash metal

1328701028 58 Celebrating the glory days of thrash metal

As a young metalhead, the mid-eighties were a really exciting time for me. Speed/thrash metal was an exciting sound, bringing in the anger and velocity of punk, taking the music into brave new territory.



Metallica were the kings of thrash, and were soon going to go to become one of the most legendary bands in metal history, and the bands that would be king included the Big Four of Slayer, Anthrax, Megadeth. Not to mention Exodus were also gods on the San Francisco scene, where the thrash sound really flourished.

Now photographer Harald Oimen has compiled his photos from the glory days of thrash metal with Murder in the Front Row, which is named after a line in the Exodus song Bonded By Blood.

This book has come out through the indie publishing company Bazillion Points, which was put together by Ian Christie, who also wrote Sound of the Beast, a comprehensive history of metal published by Harper Collins.

Flipping through the book, you’ll realize Oimen took many of your favorite early Metallica photos, and Murder is a fascinating journey back to when the music really felt fresh and exciting, and when the mosh pit came to metal gigs. 



In the book, Exodus guitarist Gary Holt says the slam pits at metal gigs started up North, and although the crossover between metal and punk at first didn’t come easy, and it initially made the scene even more violent, eventually the walls between the styles did come down, and it was a necessary step for metal to grow and progress.

Going through the book myself, it brought a lot of memories flooding back, as I’m sure it will for a lot of other metalheads, and it’s also fascinating to see how the bands progressed and developed. Before Metallica became one of the biggest bands in the world, the San Francisco scene had a real camaraderie where all the bands knew each other, were fans of each other, came out to the gigs and supported each other.

Of course, if a band gets the opportunity to get bigger, they’re going take it, and it’s sad to see a cool music scene come to an end, which is why Murder in the Front Row is a wonderful time capsule. It takes you back to when the sound was new, fresh, and on its way to being the way of the future.

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Music Composer To Offer ‘Suite’ Concert

1328162227 24 Music Composer To Offer ‘Suite’ Concert

To celebrate the 50th concert season, the Tri-County Symphonic Band is welcoming Steve Wheeler – a Marion native, ORR graduate and award-winning musician – to serenade local audiences with his latest works.

Mr. Wheeler is returning to the area to present and perform a commissioned piece “Suites and Sweets” on Sunday, February 5 at 3:00 pm at the Gilbert Bristol Auditorium at the ORR High School. Mr. Wheeler composed the suite, entitled “For Those Without a Voice” which will have its world premier at the concert.

The piece was specifically written to celebrate the 50th concert season for the Tri-County Symphonic Band. Mr. Wheeler is a former Tri-County Symphonic Band percussionist and award-winning composer, as well as a performer, engineer and teacher.

“I’ve been seriously involved in music since the age of eight, when I began taking drum lessons at a music store in Pawtucket, RI,” said Mr. Wheeler. “My teacher, Greg Varatta, really helped instill a passion for the instrument in me.”

Mr. Wheeler works in a variety of genres from orchestral and concert band music, to jazz, metal, techno, funk and music for film. He currently resides in Alabama where he teaches and expands upon his music career. He has composed over 40 original pieces of music and enjoys the creative aspect of it.

“It can take anywhere from a day to months to compose a piece of music,” said Mr. Wheeler. “This particular piece took about two months from start to finish…it’s a fairly complex piece.”

“‘For Those Without a Voice’, is a mixed tribute to those who do not have a voice, whether metaphorically, meaning the disenfranchised, fearful, and neglected…or literally speaking, meaning the deaf or mute,” said the musician.

When creating a new piece, Mr. Wheeler sketches the basics out on the piano, working out the main melodies and uses a software program to assist in the editing, playback and the breaking up of the piece among the various musical instruments. He plays drums, keyboards and guitar but is also a specialist in the recording and mixing aspect of music composition.

“Composition is great because it incorporates almost all aspects of music into one. Melody, harmony, rhythm, orchestration and dynamics all come together in this one, big, blank canvas that has nearly endless possibilities,” he said.

“The Tri-County Band is an amazing group of people that consist of strong players that are passionate about music, and to be a part of it in the past helped my percussion playing immensely,” said Mr. Wheeler. “Being able to write for them now has been a joy and has played a significant role in improving my writing for large ensembles. It is not very often that you find a large ensemble that will perform new works of music.  To have that many people willing to sit down and play your music is a blessing.”

Tri-County’s former music director, Daniel A. Lasdow will direct the show. He will lead the band in a collection of suites written for concert band. The works span the history of band music beginning with “First Suite for Military Band,” written by English composer Gustav Holst.

Other suites include “English Fold Song Suite” by Ralph Vaughan Williams and “Suite of Old American Dances”. “Prelude, Sicilliano and Rondo”, by Malcolm Arnold will also be included. Composer Arnold is best known for his award winning film score for the 1957 motion picture “Bridge on the River Kwai”.

Current band director and Marion resident Phillip Sanborn returns to the Tri-County stage as a Mr. Sanborn will be performing “All Those Endearing Young Charms” by Simone Mantia.

The “Sweets” part of the themed concert will include a variety of goodies which will be available in the lobby at intermission and are free to attendees. The sweet treats were donated by a local business.

Tickets for the event are $10 for adults and $5 for students. Children 12 and under are free.

For more information go to tricountysymphonicband.org. To learn more about Steve Wheeler’s music, go to stevewheelermusic.com.

By Joan Hartnett-Barry

The same is done with concert. Songs on his set list include "Sleepwalker" and "Voodoo" as well as covers such as Tears For Fears "Mad World" and Led Zeppelin's "Whole Lotta Love." The concert runs fairly short of a little over one hour and includes encores. There are a wide range of postulations on that topic. The band ran through a string of Portishead hits such as Machine Gun, Over, Chase the Tear, and Glory Box. The crowd went wild and that little girl not only gained a very expensive souvenir, but a valuable memory and a cherished moment that she will never forget as long as she lives. While you are enjoying your new concert you may want to shut off the tele but OK, it's exciting. Due to the lawsuit, the album was reissued without the track. Bret shot to fame as the escort singer of the rock group Poison. What is concert? For any concert or show, there are enough tickets available.

Business, Government , Legal News from Throughout W.Va.Impact inspections show problems, few at targeted W.Va. mines this month

1328143034 82 Business, Government , Legal News from Throughout W.Va.Impact inspections show problems, few at targeted W.Va. mines this month

Another round of impact inspection reports from the U.S. Department of Labor's Mine Safety and Health Administration resulted in more violations found at mines across the nation, including at three West Virginia mines.

MSHA announced Jan. 25 that federal inspectors issued a total of 321 citations and orders at 10 coal mines and three metal/nonmetal mines in December. According to the release, coal mines were issued 174 citations and 19 of the total orders.

“These inspections, which began in force in April 2010 following the explosion at the Upper Big Branch mine, involve mines that merit increased agency attention and enforcement due to their poor compliance history or particular compliance concerns, including high numbers of violations or closure orders; frequent hazard complaints or hotline calls; plan compliance issues; inadequate workplace examinations; a high number of accidents, injuries or illnesses; fatalities; and adverse conditions such as increased methane liberation, faulty roof conditions and inadequate ventilation,” the release states.

“It is troubling that, after all this time, MSHA inspectors continue to find such serious hazards and some mine operators allow such conditions to exist,” said Joseph A. Main, assistant secretary of labor for mine safety and health. “We will continue to use all the enforcement tools at our disposal to combat noncompliance.”

Only 16 of the citations went West Virginia mines, spread out among three operators, Massey Energy, Patriot Coal and Alpha Natural Resources. None of the 19 orders were directed at West Virginia mines.

While the MSHA release does not detail the problems found at West Virginia mines, it does describe problems at a Kentucky mine that includes finding a coal pile in flames 23 feet from an unsecured explosives storage magazine outside the mine. MSHA issued an imminent danger order at that Floyd County, Ky., mine.

Other problems at the Floyd County mine included findings such as inadequate rock dusting and loose coal, problems similar to those believed to have caused the death of 29 miners at Upper Big Branch in April 2010.

“The operator also allowed the accumulation of float coal dust on top of previously rock-dusted surfaces throughout the belt entry and adjacent crosscuts,” the release states. “Float coal dust was present on the mine floor, roof and ribs, as well as on the conveyor belt structure and mining equipment.”

According to the release, since April 2010, MSHA has conducted 387 impact inspections, which have resulted in a total of 6,931citations, 701 orders and 23 safeguards. 

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Eddie Vedder: Five Best Reasons to See This Pearl Jammer at Broward Center

1328127432 40 Eddie Vedder: Five Best Reasons to See This Pearl Jammer at Broward Center

  • 22 years later, I’m STILL crushing hard on Eddie.  Long-haired Eddie, anyway. I dig a man who looks and roars like a lion.

  • 6th grade, for me. icon smile Eddie Vedder: Five Best Reasons to See This Pearl Jammer at Broward Center I am DEFINITELY going to this one!

  • I like the authors video choice to Pete and Eddie on Letterman. I have that song in my rotation at the moment. Such a great performance for a TV, one song thing. But I have to agree with Chris R. Pearl Jam was never about the ‘grunge’. There is a great clip of an interview that they gave in the early nineties about ‘grunge’ in which they express their dislike and explains that it is something the media created. Their music will stand the test of time with other stellar rock n roll music from truly exceptional bands. The band’s sound continues to improve and evolve. "Ten" is actually kind of laughable in comparison with Pearl Jam’s more modern works. They didn’t REALLY gel until they released "Yield" in the late nineties. Since then they have been in a category of their own. Pearl Jam has been creating exceptional, poetic, meaningful music that cannot really be classified into any one genre for over 20 years now, To still call their life’s work ‘grunge’ because they broke out at the same as a ‘fad’ is an iniquity.

  • Sorry, I’m stuck in the past. Ten is what I like. About the grunge, he was in Singles. Doesn’t get more grungy that that. 

  • Pearl Jam was never ‘grunge,’ they actually had more in common with classic rock. And VS and Yield are much better albums than Ten, Ten was sort of an introduction to them. The vocals, the guitar sounds, they actually got closer to punk on VS and Vitalogy than ‘grunge.’ Real grunge is stuff like Tad, Mudhoney, and Dinosaur Jr. As for this acoustic show…it’s going to sell out in two minutes and people will be a bit disappointed when Ed maybe plays only one or two PJ tracks…

Grab them before you are left empty-handed! Parking is also available on the street. Because there are multiple options, it is a good idea to across a number of different merchants so that you can find the best deal available and get the most for your money. Joel Grey played the Wizard. It is a rare opinion relevant to concert because you find persons for the job. It would be great if I were like you. At the age of 19, she was signed to Def Jam Record. Perhaps another day. Bon Jovi performed as a part of "Live Earth" concert held in 2007, at Meadowlands. Martin acquired his commence aided by the all-boy pop group Menudo; soon after five a very long time by using the group, he released his Spanish-language solo album, Ricky Martin, in 1991. Coldplay's Best Songs Coldplay have been greatly influenced by a lot of bands throughout the years including but not limited to Echo And The Bunnymen, George Harrison, Johnny Cash, Kraftwerk, Travis, Radiohead, and Yellowcard. You can download software on the internet to make the design process fast and easy for you. Is it Hip-Hop?

Misstallica, tribute to Metallica, have been impressing the hell out of me this week!!! « K'Brocking Entertainment

1327919832 94 Misstallica, tribute to Metallica, have been impressing the hell out of me this week!!! « K'Brocking Entertainment

Many of you would know, that I am a die hard Metallica fan. There’s this all girl Metallica tribute band, called, Misstallica. If you local readers are interested, they’ll be playing a gig at Bogie’s  in Albany. I would love to go see them, but I don’t think I’ll be able to make it this week.

Misstallica’s been advertised over facebook and they got me curious. So I went looking for their youtube videos at their live shows, and wow. These girls actually fuckin’ rock, and I’m impressed!

Metallica songs are extremely hard to cover, especially their earlier stuff in the 80′s. The most complex Metallica album would have to be, “And Justice For All”,  and these girls nailed all of those songs, note for note. They’re pretty tight and they look fun to see live. Their singer & guitarist Gina Gleason, shreds some pretty good solos, she doesn’t just play rhythm guitar.

Someday, I would have to go out and see them next time they come around here. Who says girls can’t be into metal? I’m sure there are tons of Metallica tribute bands out there, but Misstallica’s, the best one I’ve heard. Enjoy these killer videos. Keep up the great work ladies!

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