Model brings touch of glamour to music video

1329837428 36 Model brings touch of glamour to music video

A TALENTED duo of town musicians called on the services of glamour model Gemma Massey to star in their latest music video.

Ashley Round and Richie Fellows, better known as rap group Rivem & Bash, filmed the Lovin On The Line footage at the Players Lounge.

And they managed to attract Tamworth’s own Miss Massey to star as the love interest in the video which has already gained 6,000 hits online.

“The video has gone down well,” said Ashley, aged 27. “We did it on quite a low budget but it looks quite professional and its already got a lot of interest.

“Gemma is probably one of the best-known people in Tamworth at the moment and through a friend of a friend we asked her to come along and she was really excited, and was great fun to have around.

“We wanted someone special in the video who catches the eye.”

Ashley and Richie, aged 30, have been performing their own brand of hip hop and rap influenced by retro and ska on the local scene for 10 years.

But with record label interest and a chance their video could screened on MTV channel “AKA”, the duo are hoping for big things.

“It’s a case of watch this space,” added Ashley.

It’s not the first time that Rivem & Bash have featured Tamworth talent in their videos, as their previous offering, Rude Boy, included street dance group NRG.

To view the video, visit youtube.com/watch?v=sSbOt8CxIIg

Lots of the songs have been sung by simply Liz Mitchell & Honest Farian, with Marcia Barrett as a backing vocalist. Concert is commendable. That's something we could not do at all. With over 55 million albums sold worldwide she is one of the most successful artists of our time. When people begin the process of pointing fingers, there will be a lot of these people that will be quick to call for Nick Sabin's head on a platter, while this would be the acceptable form of punishment for many coaches, Sabin has earned a little forgiveness based on the fact that he can not get his team to follow his guidance.ce.

Keep up with The Jons

1329514629 90 Keep up with The Jons

TOM McFaull and Jack Burgess, the sons of infamous east London pioneering punk rock band Cock Sparrer, were destined to star in their own band from a young age. Now the pair are part of successful five-piece The Jons, who are through to the finals of this

TOM McFaull and Jack Burgess, the sons of infamous east London pioneering punk rock band Cock Sparrer, were destined to star in their own band from a young age.

Now the pair are part of successful five-piece The Jons, who are through to the finals of this year’s Live & Unsigned competition, and tipped as one of the possible winners of the £30,000 recording deal first prize.

Their dads, Colin and Steve, founded Cock Sparrer in 1972, and helped pave the way for the late-’70s punk scene, and its Oi sub-genre.

In 1976 they were allegedly offered a record deal by Sex Pistols boss Malcolm McLaren, but legend has it that the deal fell through when McLaren refused to buy the band a round of beers.

Now it’s The Jons about to be offered a record deal, with various suitors waiting in the wings, impressed by the band’s energetic brand of indie, punk and ska.

Frontman Tom and rhythm guitarist Jack, also credited on the band’s website the-jons.co.uk with “shouting”, are joined by Neil Hickson on lead guitar, Sam “No Cash” Catton on bass, and Ollie Stone on drums. Apart from Tom, who is 19, everyone else is 23 and from Leigh-on-Sea.

Tom explains: “Although I grew up in Hornchurch, I come from a big East End family. My mum is from Dagenham and my dad from Upton Park. We’re all big West Ham fans, and I’ve had a season ticket there from the age of four, whether I liked it or not. But I’m a massive football fan, so it’s all good.

“Me and Jack have lived in and around the music business and live music itself all our lives, so I guess we were always going to be in bands.”

He adds: “We feel that we’ve got enough good songs to make a great debut album.

“We’ve gigged all over the place, and now, after getting through all the heats, and the semi-final in Basildon last week, we’re fully concentrating on the Live & Unsigned final at The O2 on July 10. It’s the day before the World Cup Final, so if we win and England win, there’s going to be one hell of a party.”

Check out The Jons’ cracking new video/single, Walk Towards The People, at the-jons.co.uk.

I thought there would be a bunch of kids and I would look stupid going so I stayed home. I also included a couple of perceptions referring to concert in an earlier story. A low-flying chopper was spotted and landed nearby. I would gladly do it. I am not somewhat mistaken as to it. If you have reserved a specific seat it will be awaiting your arrival. Read that and weep. It is however not till a small portion of the pig's meat is fried that the feast of "Ignatius" begins. There is something there for everyone? The title of the album is The Circle and it is confirmed by the good old friend and mixer Obie O'Brien. I was still very wet and cold but warmed by a magnificent performance from the entire band. You might want to do it sometimes as long as hot shots are largely confused in connection with free music site at this point. By what stratagem do rookies score quality free country music pleasures? Seger returned with The Distance in 1982. With a huge collection of sounds and voices, you can certainly realize spur of the moment musical ideas while performing live. Don't be fooled, music online free is a lot of work (mobs didn't sound much more pessimistic dealing with music playlist). If you haven't become a ColdPlay fan yet -- because you are not familiar with their music - I think it is about time that you give ColdPlay a chance to win YOU over.

Going out; Looking for something to do? Check out our listing of live music, DJs, karaoke, open mics and more happening at local nightspots. Find lots more at www.bendbulletin.com/events.

1329182231 69 Going out; Looking for something to do? Check out our listing of live music, DJs, karaoke, open mics and more happening at local nightspots. Find lots more at www.bendbulletin.com/events.

ARRIDIUM: Rock; 6:30 p.m.; Cross Creek Cafe, 507 SW 8th St., Redmond; 541-548-2883.

DAN LEONARDO: Saxophone; 6:30 p.m.; Crave Eclectic Fine Dining, 614 N.W. Cedar Ave., Redmond; 541-504-6006.

LITTLE FISH: Americana; 6:30 p.m.; River Rim Coffeehouse, 9570 Amber Meadow Dr. Suite 190 , Bend; 541-728-0095.

JACUZZI: Pop and rock; 7 p.m.; Parrilla Grill, 635 N.W. 14th St., Bend; 541-617-9600.

PAT THOMAS: Country; 7 p.m.; Tumalo Feed Co., 64619 U.S. Highway 20, Bend; 541-382-2202.

MARTYN JOSEPH: Folk; $15, $10 students plus fees in advance or $20, $10 students at door; 7 p.m., doors open 6:30 p.m.; Sisters High School, 1700 W. McKinney Butte Road; 541-549-4979 or sistersfolkfestival.org.

THE SELFLESS RIOT: Pop; 7 p.m.; Green Plow Coffee Roasters, 436 S.W. Sixth St., Redmond; 541-516-1128.

COMEDY WITH THE REV: 8 p.m.; The Summit Saloon & Stage, 125 N.W. Oregon Ave., Bend; 541-749-2440.

DJ CHRIS: Live DJ; 8 p.m.; Checkers Pub, 329 S.W. 6th St., Redmond; 541-548-3731.

KARAOKE: 8 p.m.; Rivals Sports Bar, Grill & Poker, 2650 N.E. Division St., Bend; 541-550-7771.

MIKE BROWN: Folk, with Tom VandenAvond; $5; 8 p.m.; The Horned Hand, 507 N.W. Colorado Ave., Bend; 541-728-0879.

FUN BOBBY: Rock; 8:30 p.m.; Northside Bar & Grill, 62860 Boyd Acres Road, Bend; 541-383-0889.

LEIF JAMES: Dirty blues; 8:30 p.m.; Fox’s Billiard Lounge, 937 N.W. Newport Ave., Bend; 541-647-1363.

BLACKSMITH AFTER DARK: Live DJ; 9 p.m.; The Blacksmith Restaurant, 211 N.W. Greenwood Ave., Bend; 541-318-0588.

BOBBY LINDSTROM BAND: Blues-rock; 9 p.m.; Circle 8 Pub, 17323 Spring River Rd., Sunriver; 541-593-2275.

DJ STEELE: Live DJ; 9 p.m.; The Summit Saloon & Stage, 125 N.W. Oregon Ave., Bend; 541-749-2440.

FIVE PINT MARY: Celtic rock; $7; 9 p.m.; Players Bar & Grill, 25 S.W. Century Drive, Bend; 541-389-2558.

VTRN: Dance/rap, with Mosley Wotta, bPollen and more; $3; 9 p.m.; Astro Lounge, 939 N.W. Bond St., Bend; 541-388-0116.

BEND-PLAYA CROSSROADS BENEFIT: Live music, food and more to benefit Ayuda de Los Angeles; $15-$20, $7 ages 11 and younger; 1-11 p.m.; Century Center, 70 S.W. Century Drive; 541-550-0950 or .

ACOUSTIC CAFE WITH LAUREN KeRSHNER: Pop; 6 p.m.; River Rim Coffeehouse, 9570 Amber Meadow Dr. Suite 190 , Bend; 541-728-0095.

PAMELA MCGUIRE TRIO: Jazz; 6 p.m.; Scanlon’s, 61615 Athletic Club Drive, Bend; 541-382-8769.

SHIREEN AMINI: Pop; 6 p.m.; Jem Raw Chocolate, 2697 N.W. Crossing Drive, Bend; 541-728-3844.

BOBBY GIBSON: 6:30 p.m.; Crave Eclectic Fine Dining, 614 N.W. Cedar Ave., Redmond; 541-504-6006.

CLAIR CLARKE: Blues; 7 p.m.; portello winecafe, 2754 N.W. Crossing Drive, Bend; 541-385-1777.

PAT THOMAS: Country; 7 p.m.; Tumalo Feed Co., 64619 U.S. Highway 20, Bend; 541-382-2202.

ALDER STREET ALL STARS: Folk; $5; 8 p.m.; The Horned Hand, 507 N.W. Colorado Ave., Bend; 541-728-0879.

DAVID JACOBS-STRAIN: Blues; $15 suggested donation; 8 p.m., doors open 7 p.m.; HarmonyHouse, 17505 Kent Road, Sisters; 541-548-2209.

DSKILES BAND: Danceable blues; $5; 8 p.m.; Three Creeks Brewing, 721 Desperado Court, Sisters; 541-549-1963.

KARAOKE WITH ROCKIN’ ROBIN: 8 p.m.; Kelly D’s, 1012 S.E. Cleveland Ave., Bend; 541-389-5625.

FUN BOBBY: Rock; 8:30 p.m.; Northside Bar & Grill, 62860 Boyd Acres Road, Bend; 541-383-0889.

BLACKSMITH AFTER DARK: Live DJ; 9 p.m.; The Blacksmith Restaurant, 211 N.W. Greenwood Ave., Bend; 541-318-0588.

BOBBY LINDSTROM BAND: Blues-rock; 9 p.m.; Circle 8 Pub, 17323 Spring River Rd., Sunriver; 541-593-2275.

DJ STEELE: Live DJ; 9 p.m.; The Summit Saloon & Stage, 125 N.W. Oregon Ave., Bend; 541-749-2440.

JONES ROAD: Rock; 9 p.m.; Rivals Sports Bar, Grill & Poker, 2650 N.E. Division St., Bend; 541-550-7771.

THE MELODRAMATICS: Ska, with Necktie Killer; $7; 9 p.m.; Players Bar & Grill, 25 S.W. Century Drive, Bend; 541-389-2558.

AQUAPLANE PARTY: Electronic music; with Defekt, Lyfe, Ells and more; $8; 10 p.m.; Domino Room, 51 N.W. Greenwood Ave., Bend; 541-788-2989.

BOBBY LINDSTROM AND FRIENDS: Blues-rock; 1 p.m.; Strictly Organic Coffee Co., 6 S.W. Bond St., Bend; 541-330-6061.

OPEN MIC: 4 p.m.; Taylor’s Sausage Deli & Pub, 913 N.E. 3rd St., Bend; 541-383-1694.

SMOOTH JAZZ WITH ROBERT LEE AND LISA DAE: 5 p.m.; Northside Bar & Grill, 62860 Boyd Acres Road, Bend; 541-383-0889.

BILL KEALE: Pop and folk; 6 p.m.; 5 Fusion & Sushi Bar, 821 N.W. Wall St., Bend; 541-323-2328.

SHOVELBELT: Metal; with OpenFate; 8 p.m.; Big T’s, 413 S.W. Glacier Ave., Redmond.

CHASE FROM CADENCE: Pop-rock; 9 p.m.; Astro Lounge, 939 N.W. Bond St., Bend; 541-388-0116.

BOBBY LINDSTROM: Blues-rock; 5 p.m.; Velvet, 805 N.W. Wall St., Bend.

JAZCRU: Valentine dinner, call for reservations; 5:30 p.m.; Good Thyme Cafe, 341 N. Main Street, Prineville; 541-416-5803.

IN ACHORD AND TERRY RANSTAD: Valentine’s Day music and dinner; 6 p.m.; River Rim Coffeehouse, 9570 Amber Meadow Dr. Suite 190 , Bend; 541-728-0095.

UKULELE JAM: 6:30 p.m.; Cascade Lakes Brewing Company – The Lodge, 1441 S.W. Chandler Ave., Bend; 541-388-4998.

BROKEN DOWN GUITARS: Rock; 9 p.m.; M & J Tavern, 102 N.W. Greenwood, Bend; 541-389-1410.

HILST & COFFEY: Chamber-folk; 6 p.m.; Flatbread Community Oven, 375 S.W. Powerhouse Drive, Bend; 541-728-0600.

OPEN MIC: 6:30 p.m.; M & J Tavern, 102 N.W. Greenwood, Bend; 541-389-1410.

OPEN MIC/ACOUSTIC JAM: 6:30-9 p.m.; Taylor’s Sausage Deli & Pub, 913 N.E. 3rd St., Bend; 541-383-1694.

ARRIDIUM: Rock; 7 p.m.; Northside Bar & Grill, 62860 Boyd Acres Road, Bend; 541-383-0889.

KARAOKE W/ ROCKIN’ ROBIN: 7 p.m.; Kelly D’s, 1012 S.E. Cleveland Ave., Bend; 541-389-5625.

THE FAREWELL DRIFTERS: Alt-folk; free; 7 p.m.; McMenamins Old St. Francis School, 700 N.W. Bond St., Bend; mcmenamins.com.

KARAOKE: 8 p.m.; Sidelines Sports Bar, 1020 N.W. Wall St., Bend; 541-385-8898.

REGGAE NIGHT WITH MC MYSTIC: 9 p.m.; Astro Lounge, 939 N.W. Bond St., Bend; 541-388-0116.

OPEN MIC: 6-8 p.m.; Strictly Organic Coffee Co., 6 S.W. Bond St., Bend; 541-330-6061.

THE FAREWELL DRIFTERS: Alt-folk; free; 7 p.m.; McMenamins Old St. Francis School, 700 N.W. Bond St., Bend; mcmenamins.com.

THE ROCKHOUNDS: Acoustic; 7 p.m.; Kelly D’s, 1012 S.E. Cleveland Ave., Bend; 541-389-5625.

CAPTURE THE FLAG: Pop-rock, with Just Like Thieves and Zero Static; 7 p.m.; $5; PoetHouse Art, 856 N.W. Bond St., Bend; poethouseart.com.

KNIGHT RIDERZ: Electronic music, with Lyfe, Defekt, Prajekt and more; $10; 8 p.m.; Domino Room, 51 N.W. Greenwood Ave., Bend; slipmatscience.com.

OPEN MIC WITH SCOTT FOXX: Rock and blues; 8 p.m.; Northside Bar & Grill, 62860 Boyd Acres Road, Bend; 541-383-0889.

SAW MY DEVIL: Americana; 9 p.m.; Players Bar & Grill, 25 S.W. Century Drive, Bend; 541-389-2558.

TO SUBMIT: Email . Deadline is 10 days before publication. Please include date, venue, time and cost.

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10 Things We Saw, Heard And Learned At Tuesday Night’s NOFX Show

1329100634 72 10 Things We Saw, Heard And Learned At Tuesday Night’s NOFX Show

We imagine the name NOFX brings a few initial thoughts to mind for fans of White Music. Mostly “early teenage suburban rebellion” and “the fuckers who probably helped spawn the Offspring.” While that might sound lame, it’s not. (It is.) But Make Major Moves had gone about 13 years without seeing the band (a Warped Tour in the 90s, for Christ sake) and it was time. Man, was it time. (It rocked.).We got there way too early (NOFX didn’t go on until about 10:30) and managed to see Old Man Markley and Anti-Flag open, which is another story. Now, 10 things we saw, heard and learned at NOFX Tuesday night.

1. I was really, really, expecting to be the oldest person at this show. I’ve now spent almost half my life not seeing NOFX shows. But I was so wrong, and it felt so right. Yeah, there were definitely your “Mom said I can go to the city, as long as she picks us up” teenagers at the TLA Tuesday night. But the vast majority of NOFX’s fans have grown up with the band and, like that hookup buddy who’s always there when s/he needs to be, they’re not going away any time soon. Someone’s either got to move or die.

2. A few songs into Old Man Markley—the opener, a punk rock bluegrass (?) band whose lead singer was formerly in the hardcore band Youth Brigade—I realize I really, really need a beer to get through their set, because it is extremely boring, and man, is it stupid!* I head upstairs and PBR is on special—for $7. Which means that’s the cheap stuff. Who are these millionaire punk rockers paying for the swill?

*They played a cover of Screeching Weasel’s “The Science of Myth” which wasn’t terrible. But compared to the original, it was.

3. Despite all their talk about being revolutionaries and anarchists (I think?), Anti-Flag is about an octave and love song away from being A New Found Glory.

4. Mosh pits are quite possibly the most basic form of anarchy in the United States, and I know how that’s exactly what punk rockers with their demin-spiked vests want to hear. Various forms of assault (physical and sexual), public drunkenness and drug use are all legal and overseen by law-abiding punk rock fans and the big, pissed off EVENT STAFF, so long as no one gets really, really hurt.

5. Some guy who looks like a nazi skinhead is wearing a shirt that says, “Anti Racist Action.” I checked out their website, and it says it’s a (punk) group that “protests fascist and neo-nazi activities.” Are there really that many fascist and neo-nazi activities going on to give credence to such an organization? And in the punk rock world, no less? And how is it still a thing to talk shit on nazis while dressing like one?

6. At some point, NOFX’s lead singer Fat Mike mentions he met a guy in the audience who had “our first Seven Inch tattooed on his leg.” “It’s me!” the guy standing shoulder-to-shoulder with me (of course) says. He’d been mostly silent all night, nodding his head up and down with earplugs plugged. But now there’s a figurative and literal spotlight shone on him. A few people back away as he unzips his pants and exposes his upper-thigh tattoo to the crowd. Really tiny boxers. Nice cock, dude.

7. There are some people who are quite obviously professional punk rockers. By that, I mean, they can’t put on a shirt and tie and disguise themselves as not punk rock—to go to, say, a job—due to hair dye jobs/neck tattoos/face piercings. Nothing wrong with that, but somehow all those same people have white patches on their cut-off jean jackets that read, “Leftover Crack.” It’s like there was a meeting where everyone, it was decided, would get a Leftover Crack patch. But there probably wasn’t.

8. Not sure how often NOFX plays “The Man I Killed”—which is a fantasy screed about murdering George W. Bush for being a dick—but after it ended, Fat Mike said, “Even though George Bush isn’t president anymore, he still needs to be assassinated.” On the one hand, OK, yeah, that’s punk. On the other, doesn’t that technically amount to inciting murder?

9. NOFX’s vague racism-but-we’re-not-racist irony is still more awkward/only funny to them than it is actually funny or provocative. (Proof: video, from the TLA Tuesday, above.)

10. To prove it, they invited one of the very few black people on stage for the final song of the night, “Kill all the White Man.”  (Randy LoBasso)

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Beer calendar: show your love for beer at these heart-y beer events

1329002234 51 Beer calendar: show your love for beer at these heart y beer events

​The resumes were long and detailed, the qualifications extreme, but the ten finalists in the Wynkoop Brewing Company’s annual Beerdrinker of the Year contest have been whittled down to three — and these guys know their beer. The man who eventually claims the title for 2012 will be determined at an event at the Wynkoop on February 25, when the finalists will be grilled by a panel of judges wearing wigs and robes and, um, dignity.

But in the meantime, here are your finalists:

Warren Monteiro, a New York City freelance writer, beer traveler, homebrewer and BeerSensei columnist for Alestreet News. Monteiro has sampled beers in Europe, Central American, India, Sri Lanka and numerous other nations, as well as throughout the United States. In 2011 he visited breweries and beer festivals in England, Belgium, the Netherlands and the U.S. He samples an average of 350 beers each year.

Greg Nowatzki, a Las Vegas accountant, home brewer and beer judge who has tasted over 13,600 beers from 84 different countries and all fifty states. He has visited over 500 breweries in 32 different states and the District of Columbia, and attended over 150 beer festivals in eight states. In 2011 he visited sixteen beer festivals and visited over 100 different breweries in seven states.

J. Wilson, a Prescott, Iowa, writer, homebrewer, beer judge and beer blogger. He has a three-tap, eight-foot home bar supplied by a ten-gallon brewing system in his basement. He has organized numerous beer events in his hometown and conducted a research project in which he fasted for 46 days on water and a dopplebock he brewed with a local brewery. It became a book, Diary of a Part-Time Monk.

Wednesday, February 8

At 4 p.m. today, the Yak and Yeti Restaurant & Brewery will tap its Cinnamon Love Wheat, made with — wait for it — Red Hots! This red-colored beer is “a cross between Atomic Fireballs & Dentyne Fire Gum,” according to Yak brewmaster Adam Draeger, and it should be on tap through the week and on Valentine’s Day.

Grimm Brothers Brewhouse in Loveland will celebrate Valentine’s Day in the town that knows it best with the 6 p.m. release of The Bleeding Heart, a cherry chocolate porter, which the Loveland Chamber of Commerce & Visitors Center has proclaimed as the official beer of the Sweetheart City’s Valentine Celebration. The brewery will also be selling prints designed by the Tenfold Collective, a local group, for $20.

The Bridgewater Grill in Golden will begin a Colorado Beer Tour beer dinner series on today from 7 to 8:30 p.m. For the inaugural dinner, Chef David Davis will feature pair five courses with beers from Golden City Brewery. Space is limited to 50 people, and tickets are $75 per person; call the Bridgewater Grill for reservations, 303-279-2010. The event is being held in conjunction with the Colorado Brewers Guild.

Thursday, February 9

Ska Brewing will be in the house at Star Bar tonight to tap their very last keg of Shebeen IPA Black, a beer they made to commemorate the 30th anniversary of their favorite Ska band, The Toasters. Oh, and the band, which just happens to be playing a show a few blocks away tonight, will be on hand at 6 p.m. to pour pints themselves before heading over the Marquis Theatre.

February is barleywine month at the Falling Rock Taphouse (or Dain Bramage month, as they call it because of the high alcohol content of this style of beer). And while there will be various barleywines on tap all month, Falling Rock will begin tappings its vintage kegs tonight. Some of these aged beauties come from Uinta Brewing, Firestone Walker, Sierra Nevada, Alaskan, Oskar Blues and Great Divide.

Friday, February 10

Great Divide will break into a firkin of pale ale that has been dry-hopped with Columbus hops. New World Conquest will be tapped around 3 p.m.

What? You haven’t checked out Stout Month yet at Denver’s Vine Street Pub and the Mountain and Southern Sun Pub & Breweries in Boulder? Well, lucky for you, the nineteenth annual celebration of stouts continues all through February, offering one of the most amazing array of dark beers made in Colorado. There are dozens of stouts on tap from Mountain Sun, as well as guest taps from other breweries. Some of the Mountain Sun specialties include Chocolate Dip Stout, Korova Cream Stout, Old School Irish Stout, Yonder Mountain Stout, Thunder Head Stout, Cherry Dip Stout, Coconut Cream Stout, Dark Harvest Pumpkin Stout, Bourbon Barrel Aged Stoked Oak Stout, Trickster Stout, Usurper Imperial Stout, Addiction Coffee Imperial Stout, Nihilist Imperial Stout, and new ones, Oatimus Prime Imperial Oatmeal Stout and Megatron Imperial American Stout.

Copper Kettle will release a new beer tonight, a Dunkelweiss, or dark wheat beer. The brewery is also having Valentine’s Day sales on its apparel.

​Dry Dock Brewing will tap a cask of Zythos Dry-hopped Enterprise IPA today at 3 p.m. and another one around 7 or 8 p.m. as part of its weekly Firkin Friday program.

Saturday, February 11

Avery Brewing continues to push the limits today by releasing the latest in its series of highly-experimental, high-priced beers. This time, there will be two beers available for sale at Avery’s Boulder taproom, both of which incorporate grapes and wild fermentation into barrel-aged brewing. The first is Muscat d’Amour, in which 150 gallons of Muscat Blanc grape must provided 25 percent of the beer’s fermentables. The 10.78 percent ABV beer has been aged for fourteen months in Chardonnay barrels and with brettanomyces yeast. The second beer is Récolte Sauvage, which used 150 gallons of actual Cabernet Sauvignon grapes from Colorado’s Bookcliff Vineyards fermented with naturally occurring wild yeasts from the harvested grape skins. This one was aged fourteen months in Cabernet Sauvignon barrels and stands at 11.03 percent. Sales of the $8, twelve-ounce bottles begin at 5 p.m. today. Fans are limited to six bottles each.

Welcome to “Stout 101: Understanding the Great Stout,” a class being offered today at the Vine Street Pub as part of its annual Stout Month celebration. For $35 (buy your tickets in advance because it will sell out!), learn the history of stouts, the folklore of Stout Months past and enjoy a brewer-led tasting that includes Oatimus Prime Imperial Oatmeal, Trickster, Girl Scout, Norwegian Wheat, Addiction, Old School, Dark Harvest Pumpkin, and 2012 Home Brew Winner Chai Stout. Snacks will be served. Tickets are on sale at all three Mountain Sun Pubs. BackCountry Pizza in Boulder will celebrate the life of Danny Williams tonight with a silent auction and fundraiser from 6 to 10 p.m. Williams, who died this month, was the cellar master for the Boulder-based Brewers Association for many years, sorting and organizing the thousands of beers that roll in each year for the Great American Beer Festival. But he was also known for his personal cellar, built into an old gold mine on property behind his house. There will be many special beers on tap as well as awesome beer-related auction items, along with a pizza buffet, a raffle and games. All proceeds will benefit the Danny Williams Fund and help his family keep the beer mine. For more information, go to the fundraiser website.

Odell Brewing will celebrate the release of its latest Single Serve beer, Footprint RegionAle, a collaborative project that pays tribute to all ten states in the brewery’s distribution “footprint.” A party takes place today at the taproom in Fort Collins from 4 to 6 p.m., featuring samples, food and music. Odell used an ingredient from each state, along with a guest brewer, to make ten smaller batches of beer, which were then blended into one larger brew. The guest brewers included employees, retailers and distributors. The ingredients included: hops and barley from Colorado and Idaho; wheat from Kansas and Wyoming; Arizona prickly pear; Minnesota wild rice; Nebraska corn; New Mexico green chiles; South Dakota honey; and oak barrels from Missouri. The beer will be for sale shortly in liquor stores in 750mL cork-and-cage topped bottles.

Sunday, February 12

Falling Rock Taphouse will crack the first of its Pliny the Younger kegs today at 1 p.m. The beer Mecca opens at 11 a.m., and employees will issue tickets to people who pay in advance. Last year, it cost $8 for a ten-ounce pour; it sold out within minutes. The triple IPA is one of the nation’s most famous, most highly-rated and most sought-after craft beers. It will likely be served at a few other locations around town in the coming weeks, as it was last year.

They will tap more Younger on Saturday, February 18 at 1 p.m., and a third batch on Saturday, February 25, at 5 p.m.

Hops & Pie, which is getting ready to greatly expand its size, will host not one, but two Littlest Big Beer Fests this month. The first begins today at 2 p.m. with flights and single pours of several Boulevard beers, including Saison-Brett, Tank 7, Harvest Dance Wheat Wine and the elusive Chocolate Ale. The second Littlest Big Beer Fest will be on February 19.

Tuesday, February 14

Lone Tree Brewing will tap a beer, My Cherie Amour Chocolate Cherry Stout, that should get your blood pumping today from 4 to 7 p.m. The beer was made with dark, bittersweet chocolate from local chocolate maker, Maroon Bells, which will also have someone on hand to pair the beer with some sweet treats. A $5 donation to the American Heart Association at the brewery will get a free six-ounce pour.

Euclid Hall breaks out its Beer Bites program, a weekly series running through January, today from 3 p.m. to close. Beer Bites includes three two-ounce pours of selected beers paired with three bite-sized snacks for $12.50 in the bar; today’s lineup involves chocolatey, fruity and infused beers.

The Cheeky Monk on Colfax will tap Dogfish Head’s rare Bitches Brew and Stone’s Arrogant Bastard with live music from El Rancho Vegas. And if bitches and bastards aren’t the perfect combo on Valentine’s Day, then add in flights of sour beers, which the Cheeky Monk will be pouring through February 19 to honor National Flirting Week.

And Wit’s End Brewing plans to bring in all the single lads and ladies in the house for a beer and chocolate party today from 4 to 8 p.m. The goal,” says brewery owner Scott Witsoe: “to try meeting someone the old fashioned way — in real life over beers!” Sounds like a grand plan. You can try each of the Wit’s End beers along with a selected chocolate that has been paired with it.

Diplomat Bar: a tiny coffee bar with outdoor tables opening at the street. That's worth the fight. Reserving your tickets early will guarantee you a spot at one of the hottest concerts around. If performing this mission normally you can take your sweet time getting to the beacon, so utilize patience unless completing the I? Marie Osmond Marvelettes Maverick Helicopters Menopause the Musical Mesmerized Nathan Burton - Comedy Magic Peepshow Penn And Teller Phantom The Las Vegas Spectacular Raw Talent Live Ray Romano Rita Rudner Riviera Comedy Club Scarlett - Princess of Magic Scintas Second City Siegfried Spirit of the Dance Steve Wyrick Stomp Out Loud Stripper 101 The Coasters The Mentalist The Osmonds The Platters The Price Is Right The Producers The Rat Pack Is Back The Real Deal The Smothers Brothers The Sopranos Last Supper Thunder from Down Under Tom Jones Tom Stevens - Singer Impressionist Tony & Tina's Wedding Tony Bennett Tournament of Kings V - The Ultimate Variety Show Vinnie Favorito Wayne Brady We Will Rock You X Burlesque Xtreme Magic Cheap Concert, Sports and Nascar Tickets If you are looking for the hottest sport tickets and sporting ticket available you are at the right site.

Madness front man Suggs finds time to reflect on his life

1328689038 39 Madness front man Suggs finds time to reflect on his life

When you hit your half century, it’s time to take stock. Alison Jones chats to Madness front man Suggs.

When Madness front man Suggs hit 50 last year, it was, he says, a time for reflection.

Albeit the kind of reflection that comes the morning after a bacchanalian party thrown by his wife Anne (formerly Bette Bright, vocalist for 1970s band Deaf School), complete with Vaudeville acts and a finale which involved her jumping out of a giant cake.

“I think when it approaches you are in a little bit of denial and suddenly you realise half a century of your life has gone,” says Suggs.

Sadly it was witnessing the death of loved one which also prompted this soul-searching.

“On the morning of my birthday my favourite cat died. I was lying in the bath and it just dropped off the glass shelf. I don’t know what happened but it died.

“That sort of tipped me over the edge and just sort of got me reflecting about my whole life and the nature of existence.

“When you are bringing up your own kids you are a bit busy with other things to spend time wallowing in your own past. But my kids (Scarlett and Viva) moved out last year so there was a bit of a change in atmosphere at home.”

His moment of introspection has resulted in “a stand up memoir” – a one man show called My Life Story in Words and Music: Suggs, which he brings to Birmingham Town Hall and Warwick Arts Centre, Coventry, this Saturday and Sunday respectively.

Although Suggs claims it is a “relatively jolly romp” through his past – recalling how the baggy-trousered boy Graham Macpherson became Suggs, front man for ska-superstars Madness – considering its rather tragic starting point, it was inevitable that there would be a few notes of poignancy.

It comes as Suggs reveals how as part of his probing into his personal history, he finally discovered what had become of his long-lost father.

Photographer William Macpherson had split from Suggs’ mum Edith, who performed as a jazz singer under the name Edwina, when young Graham was just three.

“He left when I was very young so I started to wonder what had happened to him because it had been a bit of a sort of a mystery in our family

“That is part of the narrative really. I follow this story of tracing my father but at the same a time in parallel to telling the story of my showbiz career.”

His father was a heroin addict. Although both he and Edith lived a fairly bohemian lifestyle in ‘60s Soho, following the birth of their son she could no longer put up with his erratic behaviour.

As part of his quest, Suggs finally spoke to his mother about his father.

“In Britain we rarely talk about something seriously with our parents. You just want to let bygones be bygones. But she started telling me stuff that she never had.”

She revealed that his father had come by just once, when Suggs was 12. After that she had never seen him again.

Suggs resigned himself to the thought of spending days in records offices “plodding through dusty tomes and charming people over the phone” to uncover the full story. And then…

“It is one of those ridiculous things. My mate said ‘Have you ever looked yourself up on that Wikipedia thing?’. I said ‘No’ and of course it was all there: When he died, where he died.

“It was very strange. All these years it has been out there and I just never thought to look at Wikipedia.”

To his surprise he found his dad had actually died in Birmingham, having moved there after a time in a mental hospital. He had also remarried but he and his wife died within a year of each other due to drugs.

“Unfortunately he met a pretty grisly end,” reveals Suggs.

“It was no great shock. The only shock was he died a lot later. I had thought he died when I was three or so and he died when I was 14/15.

“The sad thing about that was I was just becoming Suggs and starting to formulate the band. Another couple of years and who knows? Maybe we could have met because he would have known who I was.”

He travelled to Birmingham to see the death certificate though he says he didn’t continue his search to discover where he was buried.

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Suggs goes one step beyond – to perform his life story

1328566641 18 Suggs goes one step beyond   to perform his life story

FROM the day he first thrust his way onto our TV screens in the 1980s, Graham ‘Suggs’ McPherson left an indelible mark on British popular culture.

Suggs

The Madness frontman has gone on to work as a radio and television presenter but will always be best remembered for his band’s succession of ska-tinged pop nuggets.

He told Mail reporter TIM FLETCHER how the untimely death of his beloved moggy provided a moment of ‘epiphany’ and compelled him to distil his life story into a new one-man show, which visits the Midlands next month.

REACHING a half century is enough to make anyone reassess their life, all the more so when that landmark event coincides with the loss of a loved-one.

In Suggs’s case, the bereavement was that of his black cat, Mamba, which used up its ninth life during an ill-fated episode at the singer’s north London gaff.

“I had just turned 50, the kids had left home and on the morning of my 50th birthday, my cat jumped onto a glass shelf, fell off and died,” he tells the Mail.

“All of these epochal moments came together and I had a kind of epiphany about what happened in the last half century and thoughts about my life and I wanted to share it with the outside world.”

The Madness frontman, born Graham McPherson, will be ‘sharing’ with his fans in a UK tour entitled Suggs My Life Story which sees him combine amusing anecdotes and memories with a smattering of musical interludes.

“It starts out in childhood,” he says. “I never knew my dad he left when I was very young so I wanted to find out what happened to him, and I did find out.

“Then I talk about how Suggs became Suggs and how I became famous. It’s relatively amusing tales of made me what I am today.

“I’ve got a pianist and play five or six songs, a nice mix of stuff including acoustic versions of Madness songs and some other stuff.”

The band are still in business, having toured intermittently since reforming in 1992, six years after splitting when their early 80s lustre faded.

The band had surfed the 2 Tone wave, touring with other now-famed skainfluenced labelmates, but found more commercial success than any of their contemporaries.

At times melancholic, at times humorous, songs such as Baggy Trousers, House of Fun and My Girl, earwormed their way into the public consciousness and have never left.

“It was a great time,” says Suggs. “The first tour we did was the 2 Tone tour with us, The Specials, The Selecter and Dexy’s Midnight Runners, so it was an extraordinary group of people to be around “We spent about two weeks playing all over the country and the whole thing was just snowballing as we were going along.

“We were all really good friends and when Madness were not playing I used to go on tour with The Specials and watch them. It was amazing and energetic — for anyone who is 18 or 19 it’s a special time but to be involved in that was amazing.”

Suggs draws comparisons between the era which spawned 2 Tone, one of high unemployment and riots on the streets, with the present situation.

“I do see parallels between those times and today and we’ve written a song on the new album about the recent rioting,” he says. “We’re in another depression – I’ve seen about three of them now.

“Much as I wouldn’t wish that on anyone, it does seem to provide more cultural interest from the youth and I’m looking forward to seeing some new, unexpected youth thing, like we saw with punk or ska or rave music, maybe mixed in with the internet and media and art.”

The 2 Tone era has recently been revisited with the reformation of bands such as The Specials and The Selecter, offering ageing ska fans the chance to relive their youth and younger fans to see what all the fuss was all about.

“It’s the kind of music that is very potent live and it makes people want to jump up and down for some peculiar reason,” says Suggs.

“I worry sometimes about some of the people in the crowd trying to jump up and down like they’re 18 but it’s probably good because we’re providing a service offering aerobic exercise.”

The band continue to shake up live audiences, having become a fixture on the festival circuit.

“It’s been remarkable the last five or six years the number of festivals we’ve been to,” says Suggs. “It seems that if they’ve got a few dreary bands on they go: ‘I know who we can get to liven things up — Madness!

“We get a real mix in the audience and certain festivals have own their demographic. We played at Reading, which had a particularly young crowd and thoroughly enjoyed it. I have even seen four generations of the same family at the same gig.”

Meanwhile, a new Madness album, currently nearing completion, is due out in the summer and will dispense with the proggier elements of their last outing, 2009’s The Liberty Of Norton Folgate, in favour of a more back-to-basics approach.

“The last album was a conceptual affair with stuff like a 12-minute song so with this one we’re going back to three-minute sparkling uptempo- ness,” enthuses Suggs.

“I’ve always loved pop music and what we’re trying to do is write pop music from the perspective of someone who’s 50 rather than pretending to be 18.

“So our keyboard player (Mike Barson), who wrote My Girl, a song about his girlfriend, has now written a song about being divorced.”

With more than a 30-year career behind him, the singer hopes for more of the same in the future.

He says: “I just want to continue in the way I have done, doing all sorts of strange and unusual things I didn’t expect and to do things which are challenging and rewarding.”

Suggs — My Life Story visits Birmingham Town Hall on Saturday, February 4, Coventry Warwick Arts Centre on Sunday, February 5 and Buxton Opera House on Monday, February 6.

Tickets for Birmingham are available online at thsh.co.uk or by calling 0121 7803333, for Coventry at warwickartscentre.co.uk or by calling 0247 6524524 or for Buxton at buxtonoperahouse.org.uk or by calling 0845 1272190.

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Ska Madness 2

1327963035 53 Ska Madness 2 UMC Released: Monday 16 January 2012

There seems to be millions of ska compilations, but a lot of them contain filler tracks unfit for inclusion. Fortunately, there's no excess baggage on Ska Madness 2, a 22-track (including bonus tracks) collection compiled by former Bodynatchers lead singer, Rhoda Dakar.

Opening with perhaps the ultimate ska tune, 'The Israelites' by Desmond Dekker, what follows is a good mix of familiar and not-so-well-known numbers, perfect for anyone looking for an introduction to ska. Actually, some of the tracks will not be strangers to many listeners, as the original version of the 1980 Blondie chart topper (or 2002 Atomic Kitten number one), 'The Tide is High' is there, as well as Tony Tribe's version of 'Red Red Wine' (written by Neil Diamond but a hit for UB40 in 1984) and Nicky Thomas' 1970 Top 10 hit, 'Love of the Common People' which Paul Young took to number two a dozen years later.

Having listened to a bit of ska over the years, the beauty of Ska Madness 2 is that there are numbers this reviewer had never heard before. The first bonus track, 'Enoch' (originally known as 'Enoch Power') by Millie Small (of 'My Boy Lollipop' fame) is a curious yet stinging response to Enoch Powell's infamous 'rivers of blood' speech in 1968. Elsewhere, it's difficult to believe that the same Boris Gardiner who recorded 'Elizabethan Reggae', a strange tune which has the sound of a 1960s TV theme to it, is the same person who inflicted the dire 'Want to Wake Up With You' on the UK charts in 1986.

For me, however, the standout tracks on Ska Madness 2 are Bob and Marcia's 'Young Gifted and Black', a rare cover of a NIna Simone song which sounds fresh every time I hear it, and 'Pressure Drop' by Toots and the Maytals, a number which takes me back to a youth that, thanks to the influence of punk and mod, first introduced me to ska and reggae music.

Now where did I put that Fred Perry shirt and those Sta-Prest trousers?

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Ofrecerán Encuentro de Arte Urbano en Morelia « Diario Provincia – El Diario Grande de Michoacán – Noticias en tiempo real

1327847827 35 Ofrecerán Encuentro de Arte Urbano en Morelia «  Diario Provincia   El Diario Grande de Michoacán   Noticias en tiempo realStaff / Provincia

Morelia, Michoacán.- Talleres, performance, conferencias y una mesa de diálogo, formarán parte de las actividades del Tercer Encuentro de Arte Urbano; evento que la Secretaría de Cultura de Michoacán (SECUM) ofrecerá el próximo 20 de enero, en la Plaza Benito Juárez, de las 10:30 a las 21:00 horas, con el propósito de  crear un espacio  de reflexión crítica sobre las condiciones del desarrollo expresivo de quienes practican el arte urbano en la entidad.

En rueda de prensa, Silvia Zavala Tzintzun, titular de la Dirección de Promoción y Fomento Cultural de la SECUM, explicó que tanto el Gobierno del Estado de Michoacán como el Consejo Nacional para la Cultura y las Artes (CONCALUTA) apoyan el Programa de Desarrollo Cultural para la Juventud (PDCJ), a través del cual se organiza dicho encuentro, en aras de reconocer y brindar un espacio a los jóvenes quienes, agrupados en colectivos, presentarán sus propuestas.

Acompañada por Lucía González coordinadora del PDCJ, Manuel Noctis integrante del comité organizador y Paulina Grajeda, promotora cultural  y coordinadora del evento, la funcionaria estatal agregó que fue un comité organizador integrado por el propio Manuel Noctis, director de la revista “Clarimonda”; la promotora cultural  de la comunidad de Cherán, Yunuén Torres Ascencio; Alejandro Ortiz “El Chinito”, integrante del colectivo Chac Mool, y Mariana Gómez Amezcua, promotora cultural del municipio de Paracho, analizaron las propuestas con el fin de presentar actividades y grupos diferentes a los presentados durante las dos pasadas ediciones del encuentro, así como encontrar un equilibrio en la participación de hombres y mujeres, es decir la equidad de género.

Este último fue, a decir de Manuel Noctis,  uno  de los aspectos más cuidados al momento de elegir a los participantes en el encuentro, mismo que, opinó es uno de los pocos eventos dirigido a reconocer a  los jóvenes creadores independientes, de ahí su satisfacción y agradecimiento a la  Secretaría de Cultura por apoyar esta clase de actividades.

Tanto Silvia Zavala como Paulina Grajeda coincidieron en señalar que los integrantes del comité organizador participaron en un taller de carácter metodológico con miras a conformar el encuentro, de ahí que éste, además de ser un espacio de expresión e intercambio, también involucró aspectos de carácter filosófico y académico para detecta las necesidades de quienes realizan arte urbano.

Lo anterior dio como resultado un programa compuesto por los siguientes talleres: Tattoo con Ana Dubink, Comic y Art Toys con Colectivo Kimera, Esculturas vivientes con Arte Interdisciplinario Dinas Bran, Diseño textil con Daniela Cervantes, e “Hilitos” Creación de revista por parte de los integrantes de la Revista “Hilo”.

Para inscribirse a dichos talleres, que tendrán un cupo de 20 personas cada uno y se ofrecerán de manera gratuita, los interesados deberán acudir a la SECUM al Departamento de Alas y Raíces, ubicado en el segundo piso, o por teléfono, al 3 22 89 00 extensión 129 en horarios de 09:00 a 15:30 horas.

La música también se hará presente con los siguientes grupos: Desde la ciudad de México “Los Leopardos” que interpreta el género del Rockabilly; desde la Cañada de los Once Pueblos “Bababa Paradise” y su ska-reggae; desde Cherán “Sólo por Hoy” que ofrecerá piezas bajo el género ska fusión, el DJ Sela Soun Monky Ragga Man, Mich Soldiers y Ferap  con su Hip-Hop y Beat Box, y Del Viejo Valle que interpretará Rap.

MC Ache Ramírez, San Agus Crew con su breaking, Stereoadicta, que llevará rock y ritmos country; Nonome, con música mestiza; Jazztly, que ejecuta jazz-blues-swing, y “Momentos Híbridos” con el género punk rock, también fueron seleccionados para participar en esta tercera edición del Encuentro, con el propósito de ofrecer y dar a conocer ante el público los más diversos proyectos.

Las actividades también incluyen performance por parte de Ecomalabara (acto circense), de Perras del Museo y Colectivo Asco, mientras que la mesa de diálogo contará con la participación de Jonathan Macotela, Rosa Ayala y Colectivo “Rizoma”.

En el Tercer Encuentro de Arte Urbano se contará con la presencia de Pato Montes, bajista de la desparecida banda “La Maldita Vecindad” quien impartirá la conferencia interactiva “La Calle Suena” y Carlos Camaleón de Under Ediciones con “No Somos Tribus Urbanas”. De Irapuato se contará con la participación de Juan Silva, del colectivo Rizoma.

Como se recordará, el Encuentro de Arte Urbano tiene la finalidad  de reconocer la diversidad de las expresiones  culturales y artísticas del arte urbano de los jóvenes del estado de Michoacán y  intercambiar experiencias,  por medio de la construcción  de un espacio de articulación local conformada por jóvenes, organizaciones civiles, colectivos y especialistas, que trabajan y/o se desarrollan  en espacios de arte urbano

  1. Alberga Casa de la Cultura de Morelia Tercer Encuentro de Arte Urbano
  2. El museo que conserva el peor arte del mundo
  3. Rescata INAH arte rupestre de Chihuahua
  4. Buscaban griegos en el arte la belleza eterna: especialista
  5. Busca Centro Cultural Border apoyar el arte emergente

Esta noticia fue creada el 18/01/2012 a las 3:20 pm en la categoría Cultura | . Puede seguir las noticias por medio de los RSS 2.0.You can skip to the end and leave a response. Pinging is currently not allowed.

Some other great moments for me were "In My Place" - which had everyone in the Forum on their feet with fists in the sky on "YEAH"! For sure, there's no turning back. Concert would be habitual if there wasn't enough time. RESEARCH Always research before making your final decision. The only scheduled North American date so far is September 14th at Yankee Stadium in The Bronx, New York.Concert Of The Budapest Gypsy Orchestra The event will take place in the Convention Centre, which, after a renovation lasted 15 years, is now become the biggest Convention Centre in Hungary. Aotea Center New Zealand Finest Concert Hall Auckland is a city that has lived under the mesmerizing effects of lava ridges and volcanic mountains since its birth. 2007: After her divorce she became quite addicted to drugs and alcohol, visited a rehab facility in Antigua in February. Although known best for her singing and songwriting, Etheridge showed she can play a little guitar herself as evident in instrumental segments of Dont You Need and Nervous. If you want to get tickets, the best way to do so is to go online and buy them. Nicknamed "Whizzer" because of his speed, White led the league in rushing that year, but the Pirates won just two of nine games.

The Mighty Mighty Bosstones: The Magic of Youth

1327694228 38 The Mighty Mighty Bosstones: The Magic of YouthThird-wave Ska Legends Chill Out on Album Number Nine

The bands that briefly rose to prominence in the early-to-mid-00’s emo craze could do worse than follow the map set out by mid-90’s ska hit-makers The Mighty Mighty Bosstones. The band never overstayed it’s welcome after their brief flirtation with mainstream success (the No. 1 hit, “The Impression I Get”, AKA the only ska song your grandma knows) but simply kept plugging away, played to whomever wanted to see them, following The Dropkick Murphys to wherever “Shipping Up to Boston” allows them to play (this summer, it was Fenway Park) and release a new record every now and then. And now and then has provided their ninth studio record, The Magic of Youth.

The album seeks not to revolutionize, discover unfiltered or noble truths, or even change up the Bosstones’ sound. The album is here to soundtrack your next Memorial Day barbecue, with the way the group has slowed down, in many places, their signature sound on this go-around. It isn’t necessarily as “in-your-face” as ska can often seem, especially this many years past the sell-by date. That doesn’t necessarily mean, however, that this is anything you need to go out and purchase right now.

Produced by Ted Hutt (The Gaslight Anthem), Magic starts out on an exciting note, with the rollicking “The Daylight”, using Dicky Barrett’s terrific voice to paint a picture of kids looking to “do everything that we wanna do” before the night ends. The problem is, after that, all you have left is the morning after, and a very chilled out album that seems to delve closer and closer to, say, 311 territory.

The band never really digresses from the ska sound, but as previously mention, slows it down way too much on songs like “The Horse Shoe and The Rabbit’s Foot”, which sounds like the Dave Matthews Band for ska freaks, and “Open and Honest”, which should be soundtracking your stoner pals’ hackeysack tournament this time next week.

Not to be too harsh on the band, as I bear them no ill will, but the point is this: The Magic of Youth is perfectly fine for longtime fans of the band looking to stay current in their collection and anyone who wants to see the band’s enjoyable live show the next time it hits your area.

But really, if you’re anything above a diehard, you’ve heard this done better in other places.

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