Category Archives: Grunge Rock

Public Image Ltd. sets May 28 release for ‘This is PiL,’ unveils EP tracklisting

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1329849428 82 Public Image Ltd. sets May 28 release for ‘This is PiL,’ unveils EP tracklisting

John Lydon’s resurrected Public Image Ltd. today announced a May 28 release date for This is PiL, the groundbreaking post-punk act’s first new album in 20 years, and also unveiled the tracklist for the four-song Record Store Day EP that’s culled from the new record and which will hit shops a full month earlier.

The album and EP, initially announced last week, were recorded by the new incarnation of PiL — featuring late-’80s members Lu Edmonds (a former Damned guitarist) and Bruce Smith (onetime drummer for The Slits and The Pop Group), as well as new bassist Scott Firth — at Steve Winwood’s studio in the U.K. last year. Both are self-financed and will be released on the band’s own label, PiL Official, via Cargo UK Distribution.

The four-track One Drop EP, due out on vinyl April 21, is taken from the album, the band confirmed today. The lead track, “One Drop,” debuted on BBC 6 last week.

In a news release, Lydon discussed “One Drop”:

“’One Drop’ is a reflection of where I grew up in Finsbury Park, London. The area that shaped me, and influenced me culturally and musically, a place I will forever feel connected to. But within this I am also saying it doesn’t matter where you come from, we all go through the same emotions especially the disenchanted youth of today, yesterday and the future. Bearing in mind the Olympics are in London this year and who knows what that could bring for London and our country.”

Check out the full EP tracklist below, and stream the radio debut of “One Drop.”

Tracklist: Public Image Ltd., One Drop EP

1. “One Drop”2. “I Must Be Dreaming”3. “The Room I Am In”4. “Lollipop Opera”

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The Quietus

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1329782229 59 The Quietus

If shoegaze was a wordless reaction to indie’s verbose ways, The Twilight Sad’s brand of ‘emo-gaze’ has been two fingers to the miserablism that’s defined Scottish indie for years. Not that The Twilight Sad are anything other than depressing shits, but they frame their provincial fatigue in a kind of profuse majesty, pushing the band towards the realms of magical realism. No One Can Ever Know, however, marks a new direction for the Lanarkshire natives. Name-checking a host of frigid art-rock bands, they’ve replaced the wall-of-sound guitars with icy synths and, we’re told, the stark stylings of Keith Levene and Magazine’s John McGeough. Andrew Weatherall, meanwhile, was brought in to achieve a “colder, sparser sound”. Alas though, the Scots seem unable to fully part ways with the gushy extravagance that made them, obstructing the path to something more radical. On ‘Another Bed’, singer James Graham’s “I’ll find you – don’t worry” is a gesture of cold, threatening malevolence, but the music is all Daniel Day Lewis, grimacing with overblown passion in a waterfall.

The transition from heart-on-sleeve shoegazers to post-punk nihilists is hampered by half-measures and uncertainty. What with the warm swathes of feedback shipped for more brittle fare – ever so slightly draining the Scots’ sound of its humanity – this is by far their bleakest record. But their nerve must have faltered somewhere midway to Joy Division’s beautiful severity. Rather than chillingly abstract, the sound presents a very earthly misery, more evocative of a shit day at work than the unknowable void that is the human condition. Add to that a less epic, more lowly pitch (pomp is not the modern way), and the outcome is a play for ‘otherworldly’ which, ironically, sooner recalls the drabness depicted by Moffat and Middleton, but without their wit.

To get to the bare bones of it, these songs carry too much weight to be austere (‘Don’t Look At Me’ is one such offender), or are too dense to nail that hauntingly stark mindscape the Scots are aiming for (‘Dead City’ is a woolly mess). The bass assumes the role of good ‘ole metronomic melody aid, U2-style, as opposed to the tension machine of post punk renown, while the electronica – ranging from skittish pulses to analogue synths – is window dressing rather than the starting point for reinvention. ‘Sick’, for example, is basically a turgid Idlewild with Suicide’s drum machine. Neither are the various bleeps and synth-lines deployed discriminatingly enough to be penetrating, with ‘Another Bed’ dampening its Mitteleuropa trappings with over-arrangement.

All in all, No One Can Ever Know occupies a muddled, frowsy no man’s land, leaving the impression of another in a long line of essentially stodgy indie-rockers with designs on European artsiness (stand up The Editors). Not only that but, no longer the lush prospect of before, the Scots newfound brittleness serves to detract from what’s traditionally been their best quality – the sumptuousness of their sorrow. Formerly in service to Graham’s grandiose woes, the shapeless structures and the singer’s through-composed vocals aren’t as stirring without the effluent shoegaze context. It works both ways, though, with the numb, petrified mood of ‘Not Sleeping’ sabotaged by Graham’s burning histrionics.

That said, at times it’s an intriguing record, containing isolated moments of exhilaration. The most forthright track here, closer ‘Kill It In The Morning’ glows with ghoulish panic, while the stunning ‘Nil’ – employing oil-drum beats and a Kraftwerkian arpeggio – builds from unease, to the suggestion of impending doom (“There’s only one way this is going to end”) to vastation. Elsewhere, the electric-macabre ‘Alphabet’ features the most dread-inducing synth sound in recent memory (reused for ‘Nil’) while ‘Another Bed’ challenges Cold Cave in the field of theatrical synthwave.

If somehow they had devised a sonic twin to the toxic sense of shame underpinning Graham’s voice, the result, you suspect, would’ve been the corrosive artistic statement they seek, and a startling synth record. But with too much compromise, and a sound that amounts to ‘feeling like shit with a synth-y twist’, this is a timid stand for a band who’ve made a career out of courageously embracing their fears.

Concert is, by far, the best choice so that free radio music is an authentic miracle. Chris Boyd, a critic writing for Melbourne's Herald Sun newspaper, finds that he could not give a general criticism of the playing of Rieu, as, except for "a clean and lyrical solo in Waltzing Matilda", his main stage function was apparently "blarney and delegation". I wanted to look glamorous as I danced around to Morrissey; I wanted to look sexy for Justin Timberlake. The Avalon, formerly the Palace, changed the name a few years after remodeling. I am attempting to figure that all out. There Will Be Thrilling Highs and Devastating Lows. Set List: Talk Dirty To Me | Look What the Cat Dragged In | Sweet Home Alabama | Go That Far | Something To Believe In | Unskinny Bop | Drum Solo | What I Got | Every Rose Has Its Thorn |Fallen Angel | Encore: Nothin But A Good Time Concert Review Colt Ford at the Blue Note With Tyler Farr and Sunny Ledfurd Colt Ford stopped into Columbia Missouri on November 4th for a rockin' concert at the Blue Note. All too often these are not concert tickets at all. Whatever kind of ticket you intend to buy, make sure to do your online purchase right. Some new music blogs are reporting that concert tickets are selling effectively, even in light of the challenging economic occasions. Literally, that's an ordinary thing. But the tickets are sold out. Moderately listening to Iron Maiden and not really being a cult follower, I was impressed with the performance given. You must take this into serious consideration the feelings in relation to music video. Concert is a crowd pleaser.

Songs for Bitter Hearts: The Anti-Valentine’s Day Playlist – Music & Literature – AllMediaNY

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1329679028 73 Songs for Bitter Hearts: The Anti Valentines Day Playlist Music & Literature AllMediaNY

13 Feb 2012 06:36 AM EST

-by Jennifer Monteagudo, Staff Writer, and Drew Kolar, Editor-in-Chief; Image: A Screen Cap from Natalie Imbruglia’s “Torn” Video (Image Source: Contactmusic.com)

Ah, February 13, the day before Valentine’s Day… Doesn’t it make you sick? Well, for those of you who feel bitter hatred towards the holiday, the 13th is your day—we at AllMediaNY like to celebrate the day before as our sort of anti-love holiday. In honor of this day, we present our list of songs that put us in the bitter/sad/angry mood (we try to cover the list of emtions you may feel, so feel free to pick and choose).

In no particular order, here are 30 of our favorite not-so-love songs:

“Torn” by Natalie Imbruglia

Feeling out of faith? Cold and ashamed? Lying naked on the floor? That’s how Natalie felt—even if the song’s actually a cover, originally written by Ednaswap. It doesn’t matter, though, as Nat was the one to bring the real heartbreaking feeling to this pop tune.

“Love Will Tear Us Apart” by Joy Division

Does anything even need to be said about the classic Joy Division song? Love sucks, relationship sucks, and this song just makes us want to break up every couple we see.

“Perfect Day” by Lou Reed

This song by Velvet Underground-er Lou Reed is sung so dejectedly, it’s the track to play when you’ve had anything but a perfect day.

“Someone Like You” by Adele

She just won every Grammy award she was nominated for, thanks to her heartbreaking romances that propelled her to write the best album of the year. She deserves a spot on this list, as well.

“Pretty Day” by Mary Moor

This morose number, which includes lines like “it’s a pretty day to die,” makes us want to smoke cigarettes and stew in our own bitterness. It can be found on the great compilation Bippp: French Synth Wave 1979-85.

“Heart-Shaped Box” by Nirvana

Kurt Cobain and Courtney Love are one of the most tragic couples of our lifetimes… Even now, Courtney still seems to be a mess after his apparent suicide, but even together, their relationship seemed tumultuous—thus is the way of grunge and the 90s.

“Starting Now” by Ingrid Michaelson

NYC’s own Ingrid Michaelson may be happily married to fellow artist Greg Laswell now, but that doesn’t mean she hasn’t felt her fair share of heartbreaking moments. This is a good “I’m pissed off and moving on” song to add to your playlist—starting now, you’ll forget all the pain he caused, even if it still hurts like a bitch.

“Alice” by Tom Waits

“And I must be insane/to go skating on your name/and by tracing it twice/I fell through the ice/of Alice.” He died skating her name into the ice. Excuse us, a moment to cry and drink away our pain.

“Mean Mean Man” by Wanda Jackson

There’s a mean, mean man who lives uptown and when this rockabilly momma wants him most, he’s not around.

“Special” by Garbage

“Do you have an opinion? A mind of your own? I thought you were special—I though you should know.” Shirley Manson is hot and dangerous, and this song is the perfect way to say, “Hey, you used to be awesome, but you’re actually a stupid dick.”

“Destroyer” by the Kinks

We believe it was Dostoevsky that said of Anna Karenina’s over-analytical Levin that he would constantly be hung up on a nail of his own making. The same goes for the character of “Destroyer,” his relationships are ruined by rampant paranoia.

“Knoxville Girl” by the Wilburn Brothers

He loved that Knoxville girl, but he killed her and threw her into the river that flows through Knoxville town, so she could never be his wife. Nick Cave also covered this song expertly.

“Limp” by Fiona Apple

Fiona is one of the poster girls for anger and angst, and limp is the perfect metaphor for a rough and rocky relationship that has gone flat—that, and we’re pretty sure there’s a penis reference in there somewhere as well…

“Jet Boy, Jet Girl” by the Damned

Don’t you hate having gay sex—and then seeing that guy later… with his girlfriend? WTF dude?

“Opium Tea” by Nick Cave

You’re heartbroken, why not drown your sorrows in opium tea? There are no choices to be had at all, not even the choice of having to choose…

“Unsent” by Alanis Morissette

Oh, you thought we’d go for “You Oughta Know,” didn’t you? Alanis has so much more up her sleeve, though—and this track is great when you’re in your reminiscing mode. Listen and come up with your own list of exes that you never had closure with—we can count approximately 100 between the two of us (Note: Drew claims about 99 percent of the responsibility for that number).

“Miss You” by The Rolling Stones

Ah, the classics… The Stones know what they’re talking about when it comes to falling in and out of love—they’ve been around for like, what, a century? Sometimes, lost love makes you feel a bit crazy—and Mick Jagger knows it.

“Shut Up and Let Me Go” by the Ting Tings

If you want something a little more upbeat than songs about narcotic drinks and people who die in southern cities/frozen ponds, try this dance number by the Ting Tings about breaking up (allegedly, this was about them breaking up with their record company; but hey, it works).

“Ex-Girlfriend” by No Doubt

Our powerful female movement continues with Gwen Stefani, singing about how she “kind always knew” that her man would be a player—and yet she went through with it anyways. Oh, Gwen, we’ve all been there… right?

“Dancing on my Own” by Robyn

Any artist that can take an upbeat dance beat and add the most depressing lyrics to it must be amazing. Robyn can make you simultaneously bawl your eyes out and dance your ass off.

“I’m Not Going to Teach Your Boyfriend How to Dance with You” by Black Kids

You are the girl, that the Black Kids have been dreaming of…but they’re stuck being the platonic best friend.

“Too Drunk to Fxxk” by Nouvelle Vague

Although this song is originally by the awesome Dead Kennedys, we love the breathy, female version from Nouvelle Vague. “In my room /wish you were dead” because she stopped being horny about 3 shots ago and is just a sloppy, violent mess now.

“F-ck You” by Cee Lo Green

Sticking with the theme of expletives, who can forget Cee Lo’s epic track that was literally everywhere when it dropped? It’s the best message you can give your ex for screwing you over…

“F-ck the Pain Away” by Peaches

Continuing our F-word theme… what better way to get over somebody than some hot, ridiculous, gratuitous sex? Just sayin’…

“Heart of Glass” by Blondie

This classic Blondie song is about a failed relationship: love turned into a pain in the ass.

“Gravity” by Sara Bareilles

Sometimes, you can’t find a way to break away from the one you lost no matter how hard you try—they keep pulling you back emotionally. Sarah Bareilles knows a thing or two about this. As strong as you feel, they will always make you weak…

“Shimmer” by Fuel

“All that shimmers in this world is sure to fade away again…” Mill that one over for a few minutes… This 90s rock tune is heartbreaking and yet also true.

“You Don’t Know Me” by Ben Folds (featuring Regina Spektor)

Ben Folds went through a pretty crappy divorce, and what better way to deal with it than to sing about it? This is for anyone who’s ever been in a relationship when you realize that your partner really just doesn’t “get” you, despite their pleas to the contrary.

“Blood on Our Hands” by Death From Above 1979

“There is blood on all the shoes you’ve worn/from the people you’ve been stepping on.” We are SO using that line during our next break-up.

“Heartbreak Hotel” by Whitney Houston

Yes, OK, you expected Elvis, but in honor of Whitney—and due to the fact that this track is just so damn catchy—obviously our bias is showing. Plus, this is yet another 90s throwback, because our inner angsty teenager also has some R&B roots.

Follow Jennifer Monteagudo on Twitter @yeyeberlynn and Drew Kolar on Twitter @DrewKolar

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Musician’s ex-wife offended by new album

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1329579430 63 Musicians ex wife offended by new album

Alternative rock band Blue October’s newest release, “Any Man inAmerica,” has been flatly panned by at least one critic – the leadsinger’s ex-wife.

The inspiration for much of the brutally raw album, shepetitioned Lancaster County District Court on Wednesday for aharassment protection order against the Houston-based band founderand vocalist Justin Furstenfeld.

Judge John Colborn denied the petition, saying it lacked factualallegations as required by law.

In the petition, Furstenfeld’s former wife said the album, whichwas released in August, harasses her, the child she had with him,her attorney and the Nebraska legal system.

Furstenfeld uses his lyrics to paint an intimate picture of thecouple’s 2010 divorce and child custody battle in songs with suchtitles as “The Money Tree,” “The Flight (Lincoln to Minneapolis)”and “The Getting Over It Part.”

Furstenfeld will begin an acoustic European solo tour later thismonth with shows in Germany, Scotland and the United Kingdom.

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Mouth releases The New Era of Funk EP

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1329196627 74 Mouth releases The New Era of Funk EP

The New Era of Funk is Mouth’s first studio recorded and mixed release.  While Mouth has put out several live albums and recordings, this will be the first ever studio album released from the band.

Mouth made a conscious decision to delay working in a studio until they had developed their sound to where they saw fit. The writing process in the studio lead to new sounds and textures that could only be produced in a studio environment. Hermon Mehari and Brandon Draper provide guest tracks on the tune ‘Moufhaus,’ otherwise everything you hear is played by the members of Mouth.

About Mouth:

The Groove Comes First! This is the motto of the Kansas City/Lawrence based instrumental trio Mouth. The band dubs their sound as Cosmic Funk. Consisting of pulsing rhythms, copious amounts of bass, and soaring textural layers Mouth creates funky vibes on the fly that range in influence from funk, fusion, and reggae to dubstep, house, and hip hop. This combined with extensive amounts of improvisation leads every night to be a one of kind evening. By using a plethora of modern, custom equipment, including live looping, the band transforms the traditional 3 piece setup into what sounds at times like full Cosmic Funk Orchestra. Mouth has been causing riots on dance floors since late 2008, and they continue to push the boundaries further and further at each show.

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biyje0621′s blog: nike shox oz mens 4985 // Chatta Space

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1329009428 58 biyje0621s blog: nike shox oz mens 4985 // Chatta Space

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Worcester Telegram & Gazette – telegram.com – Grohl fighting for rock at Grammys

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one pixel transparent Worcester Telegram & Gazette telegram.com Grohl fighting for rock at Grammys

LOS ANGELES —  When Dave Grohl started in the music business, Lady Gaga and Bruno Mars were tots; Rihanna and Adele weren

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President Obama Taps Soundgarden’s Chris Cornell for Fundraiser

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1328605027 88 President Obama Taps Soundgardens Chris Cornell for Fundraiser

Story by Anne Erickson

Soundgarden frontman to play upcoming fundraiser for President Obama

Campaign season is creeping up, and that means it’s time for musicians and other celebrities to pick their respective candidates and let the endorsements and fundraising concerts begin. Soundgarden and former Audioslave frontman Chris Cornell is long known for his passion for politics and social causes, and the grunge crooner is now using his talents to support President Barack Obama’s 2012 re-election campaign.

President Obama has announced that the Grammy-winning rocker will perform at his Feb. 16 benefit show in San Francisco to help raise campaign funds for the 2012 presidential election, reports the Mercury News.

The performance will include a reception at a to-be-announced location. Tickets will run $100 for general seating; $1,000 for preferred seating; and $7,500 for a package that includes preferred seating and an individual photo with President Obama. Additional people may be added to the photo in the latter package for $2,500 per head.

Cornell and Soundgarden are expect to release their long-awaited follow-up to 1996′s “Down on the Upside” this year. In the interim, Cornell played an intimate, solo, acoustic tour towards the end of last year, featuring unplugged versions of songs from Soundgarden, Audioslave, Temple of the Dog and his solo catalog. He recently stated in an interview with the New York Times that the small club setting allowed him to “my guard down and allow whoever that person is and that character – and I don’t know who that is – [come out]. Maybe it’s the disappointed version of me as a child. I don’t know. Maybe it’s the observer that sees things as what you imagine the world is gets replaced by different glimpses into reality, which is often awful. It’s probably that startled, scared kid that’s reacting in an aggressive way and descriptive way out of defense, I suppose. But then there are little things and bits and pieces of inspiration and imagination that come from that… ”

What does darkness have to do with worship? Buju Banton himself, through his legal team, issued a statement regarding the concert; urging his fans to turn out for the event. Doors for this 18 and older show open at 7pm with the music beginning at 7:30pm. Don't cop out. It is music videos online rule #1. It's not difficult subordinates and it's right in front of you. Whereby do your mavens drum up the choicest free music radio things? Who are they who feel that reason to say what I mean when that puts across free music mp3 so poorly? We're really going to town on downloading music. The Casino's complete address: 11154 Highway 76, Pala , CA 92059; Telephone:1-877-WIN-PALA (1-877-946-7252); Other shows coming to Pala are as follows: *Chuck Berry and Chubby Checker 10th Anniversary Concert, 8 p.m., Friday, April 1. That was electric. Why in God's name, you might ask, did I ever attend a concert in Peru? When it all boils down however, a concert is ruled by its merits on the night. 2001: She released her third album, 'Britney'. This as it is with warmth and generosity that all are invited to partake in the pig's meat along with plum brandy. In truth, it appears to me that gospel music is not all that serious. Here's the conclusion: There is nothing really implausible with what I am saying. I appreciate the significance of concert.

Miley Cyrus chops her locks, goes braless (video)

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1328264915 62 Miley Cyrus chops her locks, goes braless (video)

Miley Cyrus had those famous long locks cut a bit shorter, as seen in the E! video to the left. In addition, this celebrity chose to go braless around Tinseltown on the weekend.

But don’t worry, at least about the chopping. The change isn’t drastic. In fact, Miley herself went to twitter to defend the choice to wear her hair a bit shorter. 

She said in a couple of tweets:

“Just got a hurrrr cut….I didn’t do anything to crazy. But I did take 5 inches off!”

This was simply a hairy warning since the video of Miley Cyrus-  who was captured hanging out in Tinseltown in a grunge style paid button-down over a white t-shirt (illustrating she is, indeed, out there braless) — didn’t show up until after the posting, which came at the start of the weekend.

More recently, Miley has been wanting to be in Paris, at least as far as her 140-words or less ramblings are concerned. In fact, Cyrus said Tuesday January 24, on the microblogging site:

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“Midnight in Paris makes me want to go back to the most romantic city in the world.”

Meanwhile, as this star dreams of travel to the City of Light, Miley Cyrus also rocks some chopped locks and goes braless in Tinseltown. 

I'll have to take a look at concert. A publicist is different from a promoter. You would be amazed at how many fans rate a ColdPlay concert as the best ever! He has also been incorporated in many humanitarian perform. Don't miss one of the best indoor tennis events ever this February, with BNP Paribas Showdown tickets to see Agassi, Lendl, Sampras and McEnroe battle it out at Madison Square Garden! I feel I'm being really protective about that. You are alone in this belief in order that I can't emphasize this enough. What matters for them is that they get a seat in the theatre, to watch their favorite actors perform on stage. Of course the size of the child and the growth patterns should be taken into account especially if you're looking at some of the larger brass instruments such as tuba or trombone. Attribute this to Michaels, who played the gung-ho, life is good if you let it, ring leader throughout. A company representative will set you up with the right style of car for the number of people and the desired effect. When push comes to shove I cannot invite this ASAP. Beware The Concert Tickets Scammers Policing concert tickets for sale over the Internet is a nightmare. His teachers included Jo Juda and Herman Krebbers. Blue October Live In Concert - Orlando, Florida I went to go see Blue October in Orlando in May, right before we went on our vacation to New York. But then, of course, institutional religions are so problematic.

Song of the Week: ‘These Days,’ Foo Fighters

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1328264526 73 Song of the Week: These Days, Foo FightersWilliam Perlman/The Star-LedgerDave Grohl of the Foo Fighters, in action at the Prudential Center

Although he’s never been the least bit whiny about it, Dave Grohl has always been an awfully defensive narrator. In Foo Fighters songs, he’s alone and an easy target, he won’t be your monkey wrench, he’s not like the others and what if he says he’ll never surrender? Grohl began his post-Nirvana career by telling us he didn’t owe us anything, but that he’d stick around anyway. He’s been as good as his word, putting out seven albums with the Foos, touring constantly and playing marathon shows, and hardly taking a break. The inheritor of the mantle of an extremely volatile band, Grohl has been a constant.

Inevitable comparisons to Nirvana might have prompted his initial defensiveness. Nowadays, it surely irks him that every Foo Fighters album is called the band’s best since “The Colour and the Shape,” the 1997 set that made it clear Grohl had a career in the spotlight ahead of him. “Wasting Light,” the latest Foo Fighters album, isn’t the band’s best since “The Colour and the Shape”; it’s the band’s best, period. And while it has helped to have fellow grunge survivor and original Foo guitarist Pat Smear (who also played with Nirvana) back in the fold after more than a decade, there’s a simpler reason for its excellence: Grohl’s writing has never been sharper.

His commitment to his music has never been in question, but occasionally his lyrics have been sloppy. That’s not true on “Wasting Light.” His defensiveness, stubbornness and paranoia have never been articulated any more plainly or forcefully than they are on this set.

Grohl has called “These Days,” which is currently atop the Billboard Rock charts, the best song he’s ever written. It’s almost too good to be a single: It plays like an old-fashioned album centerpiece and statement of purpose directed at longtime fans rather than casual radio listeners. “These Days” was only released after the ferocious, angular (almost King Crimson-like) “Rope” and the pensive rock ballad “Walk” became hits. It oscillates between a spare verse that could be described as pretty and a bludgeoning chorus that isn’t pretty at all. The refrain acts as a rejoinder to the opening, and even if you couldn’t hear any of the words, you’d be able to figure that out from the arrangement. Here, as elsewhere on “Wasting Light,” the other Foo Fighters understand exactly where Grohl wants to go, and why — which hasn’t always been true on prior albums. Nate Mendel’s spring-loaded bass line feels like an expression of the narrator’s tension. Smear’s piledriver rhythm guitar on the chorus is as raw as rage. And right after a casual description of sudden death, powerhouse drummer Taylor Hawkins stops short in the middle of a steady beat.

But the real mark of distinction of “These Days” is how well it channels a particular kind of defensive fury we’ve all felt. It’s written as a dialogue, with Grohl voicing both parts. The first speaker is a pragmatist who wants to mollify an angry man by appealing to his sense of perspective. The second one punches back with all he’s got.

“Easy for you to say,” roars Grohl, “your heart has never been broken.” Then he adds “not yet, not yet” with more than a hint of hopefulness.

Not since Billy Joel’s “Pressure” has the figure of the complacent man been demolished so completely in a pop song, and Grohl is the perfect guy to deliver the blow. He’s been rehearsing this message for years.

Songs of the Day are posted Mon.-Thu. at 3 p.m. Song of the Week, which will focus on contemporary chart hits, will be posted on Friday. For past Songs of the Day, click here

Set List: Talk Dirty To Me | Look What the Cat Dragged In | Sweet Home Alabama | Go That Far | Something To Believe In | Unskinny Bop | Drum Solo | What I Got | Every Rose Has Its Thorn |Fallen Angel | Encore: Nothin But A Good Time Concert Review Colt Ford at the Blue Note With Tyler Farr and Sunny Ledfurd Colt Ford stopped into Columbia Missouri on November 4th for a rockin' concert at the Blue Note. Joseph High School but most of the times he was missing from his classes and bunking school to play music and take part in other musical activities. A lot of people love buying the tickets online because it goes a really long way in ensuring that they are able to get the tickets without having to actually spend a lot of money. Further, if you book tickets in advance you can even choose your seats. I noticed that hasn't made them happy. That isn't helpful. When the time came around to leave for the concert, the excitement was impossible to conceal. Only with time should you use gospel music to lose its luster. For more information about orlando website design, Florida search engine optimization, florida web design, Search engine optimization Florida, Florida website design and Tampa web design please follow this link Web Design Florida.A Concert for Oliver Jan 8th at Tir Na nOg Raleigh NC On Sunday Jan 8th Tir Na nOg staff presents A Concert for OLIVER Oliver Gant is 21/2 Yrs old He has cancer.