Category Archives: Classic Rock

Roger Hodgson brings voice of Supertramp to Chandler, February 26, 2012

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1329831427 83 Roger Hodgson brings voice of Supertramp to Chandler, February 26, 2012

There’s an odd phenomena with music fans that when a cool band becomes too popular, the band is no longer cool.  So it was for Supertramp, the 1970’s and 80’s English progressive rock band who first caught the attention of American audiences in 1974 with their third album release, Crime of the Century, and its hit singles “Bloody Well Right” and “Dreamer.”  Supertramp’s popularity rose with 1977’s album Even In the Quietest Moments and its single “Give a Little Bit.”  But Supertramp’s fame exploded with their 1979 release Breakfast in America and its string of singles “The Logical Song,” “Goodbye Stranger,” “Breakfast in America,” and “Take The Long Way Home.”   Now everybody knew just how good they really were which meant the cool kids couldn’t admit they liked Supertramp anymore (it’s kind of like secretly admitting you liked ABBA).   But time allows perceptions to change and now it’s alright to admit you were a Supertramp fan all along.  What better way to celebrate your appreciation than to witness the lead singer, songwriter, guitarist and keyboard player of Supertramp, Roger Hodgson, who will be appearing live on Sunday, February 26, 2012 at 7:30 p.m. at the Wild Horse Pass Casino’s Ovations LIVE! Showroom in Chandler, Arizona.

Born in Portsmouth, England, Hodgson began writing songs at the age of twelve and became proficient at piano, bass, drums and even cello.  Shortly after finishing school, Hodgson met Rick Davies and the nucleus of Supertramp was born. For the next fourteen years, Hodgson penned Supertramp hits such as “Dreamer,” “Give A Little Bit,” “The Logical Song,” “Take the Long Way Home”  “Breakfast in America,” “School” and “It’s Raining Again.”  

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In 1983, after the release of Supertramp’s Famous Last Words album and subsequent supporting tour, Hodgson parted company with Supertramp and chose to simplify his life. He began recording music at his home so that he could be with his family as they grew up. His first solo album “In the Eye of the Storm” was released in 1984 and became an international hit, selling over two million copies. In 1987, the same week that Hodgson’s second solo album Hai, Hai was released, Hodgson took a severe fall and shattered both of his wrists. Doctors told him he would never play music again. They were wrong.

In 2000, Hodgson released his next studio album Open the Door and in 2001, after a long hiatus from touring, Hodgson hit the road and became a member of Ringo Starr’s All Starr Band.  Since then, Hodgson has continued to tour with his concerts featuring music from both his days with Supertramp and his solo material.  His 2010 release, Classics Live, showcase his live performances.

As a philanthropist Hodgson has donated his time and signature song “Give a Little Bit” to help raise funds for Tsunami Relief, Red Cross, UNICEF, World Vision,  and Hurricane Katrina efforts as well as other worthy causes.

Hodgson’s appeal is mass and his fans constantly comment on the touching connection they seem to have with him through his concerts.  Despite the fact that many of Hodgson’s upcoming North American tour dates are sold out, tickets for the Wild Pass Casino show still remain and are available through the Wild Horse Pass Casino website. Remaining ticket prices range from $35.00 to $55.00 plus any additional taxes or fees.  Discounts are available for active Gila River Player’s Club Members Be cool. Blow off the Oscar’s and catch this unique singer/songwriter.

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STEVE SMITH: Classic rock, pop and country

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1329788229 41 STEVE SMITH: Classic rock, pop and country

BEACH BOYS TO HEADLINE BONNAROO Last year, perhaps the highlight of last year’s huge Bonnaroo Music and Arts Festival on a 700-acre park in Manchester, Tennessee, was the reunion of The Buffalo Springfield. This year, the reunited Beach Boys will headline the fest, being held June 7-10.

Among the 150 acts appearing will be Radiohead, The Red Hot Chili Peppers, Alice Cooper, hardcore punk veterans Bad Brains, alt rockers Ben Folds Five, Scottish rockers Mogwai, Ivan Neville’s Dumpstaphunk, The Roots and Phish, who have again been inactive the past couple of years after reuniting for the first time in five years in 2009.

Also appearing is Spectrum Road, featuring former Cream singer-bassist Jack Bruce, jazz keyboardist John Medeski, former Living Colour guitar master Vernon Reid and drummer Cindy Blackman Santana, wife of Carlos Santana.

The newer acts on the bill include Best New Artist Grammy winner Bon Iver, Foster the People, The Avett Brothers, The Shins, Feist, The Civil Wars, hotshot guitarist Gary Clark, Jr., soul belter Charles Bradley & His Extrordinaires, and electronic musician-producer Skrillex, who recently got all three members of The Doors to record with him. The Word is a new band with Medeski, pedal steel guitarist Robert Randolph and The North Mississippi Allstars.

JAGGER TO SING AT WHITE HOUSE To celebrate blues music as part of Black History Month, Brits Mick Jagger and Jeff Beck will join B.B. King andBuddy Guy in a performance before President and Mrs. Obama at the White House on Tuesday (ED: Feb. 21).

FINAL GLEN CAMPBELL L.A. GIG Glen Campbell, who at 75 and battling Alzheimer’s, and on his “Goodbye Tour, says his June 24 concert at the Hollywood Bowl will be his final Los Angeles concert. His special guest will be Jackson Browne.

WHITNEY’S FINAL FILM “Sparkle,” a musical featuring Whitney Houston’s final film role that was also her first acting role in 15 years, will be released Aug. 17, according to Sony Pictures Entertainment. The film that also stars Cee Lo and Jordan Sparks is about three sisters who form a successful girl group, a la The Supremes, but who crash and burn because of drugs and the inability to handle fame.

VAN HALEN ROCKS THE FORUM Van Halen held a secret final dress rehearsal at the Forum in Inglewood for its national tour that kicks off in Louisville.

The group called it a “Friends and Family” event, reports MSNBC. For 70 minutes, the quartet, originally from Pasadena, rocked the private, invitation-only crowd, delivering classic hits from singer David Lee Roth’s first stint with the band, such as “Dance the Night Away” and their take on The Kink’s “You Really Got Me.” They also performed songs from their latest CD, their first with Roth in 28 years, “A Different Kind of Truth,” that were actually written between 1975 and 1977.

Van Halen hits SoCal for

at least four shows, on

June 1 and 9 at the Staples Center, June 12 at the Honda Center in Anaheim and June 14 at the Viejas Arena in San Diego. More dates may be added.

CROSBY, STILLS AND NASH HIT SOCAL In the next couple of months, Crosby, Stills and Nash are undertaking brief tours, according to the trio’s website. They’ll be in Australia and New Zealand for seven shows at the end of March and early April. Then, they’ve got four shows set for southern California and Nevada beginning April 17, including on the 18 th at the Agua Caliente Casino in Rancho Mirage, on the 20 th at the Hard Rock in Las Vegas and the 22 nd at the San Luis Obispo Performing Arts Center.

Steve Smith writes a new Classic Pop, Rock and Country Music News column every week. Read the entire column online at presstelegram.com. Contact him by email at .

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San Franciscans must step up for Gold Dust Lounge

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1329259030 78 San Franciscans must step up for Gold Dust Lounge

I was thinking about the Gold Dust Lounge this week when I heard that longtime American League umpire Marty Springstead had died. Like so many notable figures from all walks of life, Springstead made a point of visiting the Gold Dust, that classic San Francisco landmark on Powell Street, whenever he could.

But then, I’ve been thinking about this place daily, always with deep regret. If the Gold Dust gets torn down, it will be one of the great injustices of our time.

It seems inconceivable that John Handlery, president of Handlery Hotels and the Gold Dust’s landlord, has given the place an eviction notice. Perhaps we could understand a refurbishing, a subtle face-lift, but replaced by (reportedly) a women’s clothing store? Hasn’t Powell Street lost enough of its traditional character?

It goes without saying that the Gold Dust is a local treasure, dating back to 1933, and famous for its clientele from Bing Crosby (once a co-owner) and Steve McQueen to Willie Brown and Herb Caen, who was known to prefer a double vodka on the rocks with a twist. It’s a drinking establishment, pure and simple, but it has so much more to offer.

Without even ordering a drink, I’ve been mesmerized for hours by the house band, led by virtuoso guitarist Johnny Nichols and a drummer, Rich Young, who plays with a ready grin. Nichols is a stoic sort, masking the mind-blowing notion that he knows every hit song ever written – country, rock, funk, you name it – or can at least find it in a gigantic, personalized book he carries around. (You haven’t lived until you’ve heard a Norwegian tourist ask these guys to play “Cathy’s Clown.”)

Umpires, always known to favor the Union Street hotels, are a staple in summertime. Warriors broadcaster Jim Barnett is “a real oldies aficionado,” Young says. The last time I stopped in, Brian Sabean, Bruce Bochy and Dick Tidrow (Sabean’s right-hand man) were there, decked out in suits and ties.

Simply put, there are times when a city needs to put its foot down. A fierce campaign is in progress, and a couple of websites, golddustloungesf.com and savethegolddust.com, are well worth your time.

This article appeared on page B – 2 of the San Francisco Chronicle

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Punch Brothers: ‘We’re ready to be heard’

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1329074229 67 Punch Brothers: Were ready to be heard

Before Punch Brothers’ show at west London’s Bush Hall last month, I saw a young man turn to his friend at the bar and ask: “What are you supposed to drink at a gig like this?” I understood his pain. There’s nothing easily classifiable about this five-piece ensemble who have proved as welcome at Carnegie Hall as they are headlining festivals. In their late 20s and early 30s, they play traditional bluegrass instruments, wear vintage tailoring and sing raucously about whisky. But their sound is as sophisticated as their New York home and equally cerebral: they regularly play Bach as an encore. Their music defies attempts to label it, although that’s not to say people haven’t tried: “bluegrass rock”, “folk-jazz” and “avant roots string band” have all failed to stick.

Punch Brothers aren’t even brothers. Their name comes from a Mark Twain tale in which a traveller is rendered unable to do anything when a catchy jingle takes his ear. “We thought that was a good goal for any band,” says guitarist Chris Eldridge. It’s working: they recently returned from touring with Paul Simon, whose son, Gabriel, is a fan. Rapturous receptions in London and Paris last month, as well as a sell-out gig at Celtic Connections, suggest that the Europeans are about to follow.

Chris Thile, their charismatic frontman, has been described in the Washington Post as probably “the most virtuosic American ever to play the mandolin”; he looks like a cross between Jude Law and Jonny Lee Miller and plays his instrument with swivel-hipped motions. Thile created the band six years ago to record an experimental, 40-minute quintet he had composed. And while the blazing ambition of their music has not dimmed a single watt, their latest album, Who’s Feeling Young Now?, the follow-up to 2010′s Antifogmatic, is the one that promises to transmit it to a wider audience.

The Punch Brothers perform in the Guardian studios. Link to this video

“We’d been having fun playing with musical ideas the way some people play with puzzles, you know, sudoku or whatever,” says Thile. “We were erring on the side of the intellectual. We’re now quick to discard something that doesn’t hit us in the heart or the gut.”

Who’s Feeling Young Now? targets both. Thile’s lyrics major on broken or longed-for relationships, of connections missed or misunderstood; some songs, such as “No Concern of Yours”, seem to be a manifesto for better community. In the otherwise lighthearted “Patchwork Girlfriend”, its serially unfaithful narrator pleads: “I’m not sure what I’m saying, I just need you to believe me.” Thile says he’s fascinated by “the way we well-meaningly deceive each other and ourselves and justify our activity or try to take mulligans [second chances]. Can I have a do-over please?” He pauses. “Unfortunately, sometimes the answer’s ‘no’.”

Musically, the album seems about to burst its skin, with influences from Swedish folk to punk to minimalism’s Steve Reich. There’s even a woozy, bluesy interpretation of “Kid A”: Radiohead covers have long been a Punch Brothers speciality (check out their “Packt Like Sardines in a Crushd Tin Box” on YouTube). “Everyone talks about how depressing Radiohead are. I don’t hear it,” says Thile. “They’ve created their own universe and it is dimly lit, but it’s not inherently dark.”

Punch Brothers recorded in Nashville’s famous Blackbird studio last autumn; I was there to see them work on “Don’t Get Married Without Me”, the track that is now the album’s finale. The needles on the sound desk hopped to the song’s distinctive bluegrass chop while fiddle player Gabe Witcher made arpeggios flutter like birds. The songs’ complex arrangements were roughly a year in the making, but when they play live each member improvises their individual solos, and it’s a spontaneity they’re keen to capture in the studio; there’s little distinction between a warm-up and a take. “We can trust each other enough to leave some things open-ended,” says Witcher. “We’re trying to capture on the record the first time these songs really come together.”

Their instrumental talents are prodigious: Witcher and bassist Paul Kowert are classically trained; Eldridge was mentored by acclaimed acoustic guitarist Tony Rice. Noam Pikelny was recently chosen by a panel of the world’s best banjoists (including the instrument’s eminence grise, Earl Scruggs) as winner of the inaugural Steve Martin prize for excellence in banjo and bluegrass.

It might sound like a joke award, but it came with a very serious $50,000 cheque from the comedian’s own pocket. I ask what he spent the money on. “It afforded me the luxury of travelling separately from the rest of the band,” he deadpans. “For one day.” No treats for his bandmates? “Yes, I bestowed on them the gift of a solo banjo album,” he laughs. Beat the Devil and Carry a Rail came out earlier this year and includes contributions from the rest of the band.

Of the five, only Eldridge, whose father was a founding member of influential bluegrass outfit the Seldom Scene, actually comes from the south. Thile grew up in California, where he formed Nickel Creek with brother and sister Sean and Sara Watkins; when they recorded their first album, with Thile’s dad playing bass, he was only 13. “I didn’t have stage parents,” he says, “and sometimes I’ve envied people who did because I felt like, I guess, I’m compulsively worried I’m not accomplishing enough. Since I was little, I’ve always put a lot of pressure on myself.”

“As many advantages as Thile gave us,” adds Pikelny, “in getting our foot in the door with promoters, sometimes it’s harder to reinvent yourself.”

Thile’s current oeuvre establishes him as one of the most progressive musicians in the States. When not on the road with Punch Brothers, he has been mixing it with major classical and jazz practitioners such as Hilary Hahn and Brad Mehldau, and last year he collaborated with Yo-Yo Ma on the cellist’s bluegrass/classical hybrid The Goat Rodeo Sessions. “I just want the opportunity to transcend my personal boundaries and the only way you can do that is by latching on to other people’s coat-tails,” says Thile.

So it was no surprise to see Punch Brothers joined on stage, at the end of their Bush Hall set, by Marcus Mumford, whom they met at the Telluride bluegrass festival in Colorado a couple of years ago. Together, they sang an Irish drinking song that they recently recorded for the Coen brothers’ latest film, set in the world of 70s folk; when Inside Llewyn Davis is released next year, Punch Brothers can hope for a lot more exposure. For Thile, it couldn’t come at a better time. “This is where to start listening to us.” He laughs and pounds the table. “We’re ready to be heard!”

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Catching Up with Alex Erian from Obey the Brave

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1329001031 25 Catching Up with Alex Erian from Obey the Brave

Published: Thursday, February 9, 2012

Updated: Friday, February 10, 2012

When I was a kid, my parents were pretty cool about the loud music coming from my room. I got into metal and hardcore at a young age, and my Mom and Dad pretty much ignored the screaming and breakdowns for the most part. They didn’t like it, but it didn’t bug them. That is, until the day I brought home a copy of The Ills of Modern Man by a Montreal band called Despised Icon. I specifically remember my Mother poking her head into my bedroom with a twisted, pained expression on her face and asking “What….the hell is that?”

From that day on, Despised was my go to band when I wanted to be left alone.

So of course, I was bummed out last year when they called it quits, and I waited patiently for one of their two brutal vocalists to turn up in another project. Three weeks ago, I got my wish when Alex Erian announced the birth of Obey the Brave, a project that had apparently been gestating for a while, but just recently went public (Check out the band’s awesome video for the single “Live & Learn” on the Facebook page!)

I remember running into Alex a couple times as a youngster at shows and he was always friendly and quick to chat with fans or sign a few CD’s, so of course I was honored when he agreed to give the Clock the distinction of publishing his first official interview as a member of Obey the Brave. After one cancellation and some ridiculously frustrating issues calling outside the U.S. (If you work for a student org, do not even bother asking the school for help on this issue) I finally purchased an international Skype account on my credit card and gave Alex a call at his Montreal home.

I thank Alex for his patience and for just being a rad dude in general, and make sure you keep your eyes peeled for some big announcements from Obey the Brave in the near future, and be sure to catch them at the Metal and Hardcore Fest at the Worcester Palladium in April!

BK: Alex, it’s so good to get in touch with you dude, I went through hell to do this thing.

AR: Oh man, I’m sorry it’s so complicated, where you at?

I’m in Central NH, just a few hours away, so it’s kind of ridiculous. I had to download a Skype account just to talk to you.

Oh my God,  well thanks for taking the time.

OK, so for starters, I’m really stoked for Obey the Brave, I was a huge Despised fan, and I’m really excited to see you front and center this time. Is it weird being the only frontman now?

I don’t know man, I miss Steve. I had a really good time singing with that dude. He and I are still boys, we actually just watched the SuperBowl together, although I fell asleep towards the end. As far as being the only singer, it’s something new, something different; a new challenge. I’ve been having a good time so far and I’m really excited with how things are coming about.

Obey the Brave, I mean, I’ve only heard “Live & Learn,” but it seems to be a little bit of a departure from what you’re known for. It seems to be a little more hardcore than metal. Was that intentional, maybe dropping the metal a little bit this time?

I’ll never drop metal. Long story short, I discovered metal in 1992, somebody showed me Cowboys From Hell by Pantera, I picked up a pair of drumsticks, quit all sports and started being a metalhead. So slowly, I got into Pantera and Sepultura and all those bands, and as the 90′s progressed I got into heavier shit like Suffocation and Dying Fetus. I always drop those two names. Those two names are very responsible for a lot of my upbringing in terms of metal and death metal in general. So I would say my roots are in metal and death metal, but let’s backtrack and say, maybe at the end of the 90′s or around 2000, I started getting into bands like Biohazard, Madball, Bane, just to name a few. Those bands influenced me more on the hardcore side of things. Despised Icon was a blend of both scenes, although leaning more towards the death metal, and my previous bands were more death metal oriented as well. So when the time came to start a new band, I figured ‘Hey, let’s not do another death metal band, let’s not do another deathcore band.’ You know, I’ve been there, done that so let’s try something new and I’m really stoked on this decision. It is weird to play songs without any blast beats or growls, but it’s definitely refreshing.

That’s a good word for it, even just hearing “Live & Learn.” The hardcore gang vocals and everything, it just sounds so fresh.

I mean, we had a whole bunch of gang vocals in Despised Icon. It’s just something I wanted to include in the new band.

I’ve got this theory about you and your career that I like to bat around with my friends. I grew up in a border town, closer to Montreal than to any American cities, so that was where I went to a lot of shows. So I’ve seen you perform a bunch of times over the years. It seemed like you Despised, and with yourself, you guys were always a step ahead of the curve, like when Ills of Modern Man came out, it was just after that that the whole deathcore thing happened, right down to the way you dress. It seems like everybody went out and got a flat brim after that record. Does that bum you out at all?

I can’t say it bums me out, I can acknowledge that, and I won’t name any names, but bands have said to me “Dude, I used to listen to you guys back in high school.” And there you are, opening up for them, but you know, we’re all friends in the end. It’s not a competition. I’m definitely proud of my friends, even if they did make it bigger than Despised Icon, who cares? It’s all about music and that’s what really counts. As far as trends, without being cocky or anything, I do get the feeling Despised Icon sort of, you know, helped start that deathcore movement. I don’t know of too many bands other than Despised who were doing that stuff before us, aside from maybe some bands from your region like Deadwater Drowning with Nate Johnson and the Red Chord, but all that shit was really recent when we came out. I did notice a whole bunch of copy cats after that, but you know, whatever man. It’s music, it’s about having a good time. As far as wearing flat brim hats and all that, and, you know, hardcore kids being into Devourment and shit, that’s definitely something that did not exist before Despised Icon, and I’m pretty sure I speak the truth on that. I don’t know man, just look the way you want to, who cares? Play music you’re passionate about and whatever you wear as far as apparel doesn’t really matter. I’m 31 and I still don’t have any tattoos. I guess that makes me not cool nowadays, but fuck it.

Alright, no more Despised questions. I know you’re excited about Obey the Brave and that’s what you wanna talk about, so tell me about the video shoot. It’s really gritty. Where did you shoot it?

We shot it on a Montreal island, Verdun, it was all shot in the same location. There was a baseball field, and right next to it there was a hockey rink. The parts of town you see were right around the corner. It was really fun, and it only took a day. It was actually really cold, you can’t tell, but in between takes I was wearing an extra winter jacket on top of my jacket, just because it was really cold. I think it started snowing a couple days later. As far as the director, I hit up a friend of mine named Jessy Fuchs, and he is just really amazing. I think we owe the success of Obey the Brave to that guy right now because he was able to translate our music into images and we’re really excited with how it came out.

I think it looks great, and it’s already hovering around 150,000 views. It looks like laying low really paid off  for you, there’s a lot of anticipation surrounding this band.

It’s weird man, I expected it do well, but not this quickly.  As far as laying low, definitely. It was such a long wait, man. It was only a year but it seemed so long. We’ve been working on this quite a lot and instead of just releasing a demo track we figured ‘All right, let’s just write a whole record, jam a bunch, solidify ourselves as a unit and come up with a plan.” I guess it came out how all you guys thought.

In the age of “write a few songs, make a demo on GarageBand and throw it online and make a Facebook page” you really went about this in a cool way. It was just like all of a sudden, Alex has a new band. You already have like 17,000 Facebook fans too.

And we announced our band 3 weeks ago today! It’s kind of unsettling, but fuck it, cool.

Is there a label in the works?

We are talking to some. The amount of solicitation is kind of overwhelming. We are talking to a few labels, nothing is signed yet. But we are working on it. Big things to come.

You guys have some Canadian dates lined up. What are the plans beyond those dates in terms of touring?

Obviously we want things to pick up and to go well, but let’s not be to hasty about it. We don’t want to skip too many steps. We’re starting out local. We’ve all been in bands in the past, but we need to solidify ourselves as Obey the Brave, so we’re playing our first shows in 2 weeks, one of which is a hometown show in Montreal with Every Time I Die, Terror and Stray From the Path, and I’m really excited about that one. So for the time being, we’re just gonna do a whole bunch of dates in Quebec and Ontario, and hopefully spread out to the rest of Canada and the U.S. by Summer. That’s the plan.

You go back and forth between French and English very easily. Which is your native tongue?

I’m French, born and raised. I guess I’ve had a lot of practice with English through touring and growing up watching American television and movies. Instead of watching the French dubbed version, I’d watch the original and I slowly picked it up that way.

A lot of people in the States complain when someone speaks to them in a different language.

Haha, I’ll tell you, up until a couple years ago I was still struggling with the “th” sound and that whole pronunciation.

I wanted to ask you about illegal downloading. Are you worried about the record leaking? Would that bum you out?

It’s hard to say in this day and age. It’s harder to name a record that has not leaked before its release date, unfortunately. I think at least kids are supportive in the sense that even if they do download the record, they’ll go to the show, they’ll buy a shirt. They’ll figure out some way to support the band. It’s not like it’s just about money. I mean, it’s not about money, it’s just about getting by. We’re all doing this for the love of it, for the passion of music, as cheesy as that sounds, but whatever. I’m 31 and here I am still doing bands and shit. I had an office job for a year, a great job; great people with whom I was working with, but I just felt like a fish out of water. I live for this. I love music, and fortunately enough kids seem to realize that for their favorite bands to survive they need to help them out a little bit. Whether that means buying a shirt or paying for a show. If you’re that type of dude who downloads the record and then hogs the guest list and wants a free shirt, then fuck you man. Help us out.

I’m a CD man myself, have you thought at all about the formats you want to put this out on, or does that even matter anymore?

I’m just looking at my CD collection now, with over 1,000 CD’s, and that’s just what I kept. I call it the “Wall of Death.” Obviously, CD format and occasionally I’m a big vinyl freak, but I do appreciate those as a collector’s item. So if we have the chance to release the record, whenever it’s done, in vinyl format, then we will do so. And hopefully this time around kids realize that it is a vinyl, and not a calendar, or a poster.

Oh man, has that happened to you before?

Oh yeah, plenty of times man. Kids see it on the merch table and they’re like “How much for the calendar, man?” I’m like “Get away from me, just get away.”

You’ve been in bands that have put a lot of time and effort into artwork, and it really bums me out to see that going by the wayside. Kids just have album covers as a thumbnail on their iPod. I grew up wanting to hold it and read the lyrics and all that.

I mean, my take on things is I grew up with cassettes. I’d buy a bunch of cassettes when I was a teenager. I know that makes me sound old and shit, but I just love owning that piece of art. It’s physical, a CD, a cassette, there’s a booklet. You put it in the player, you press play. There’s something special abou that. Same thing for books, those are probably going to disappear soon. They’ll get replaced by iPads and stuff like that. And whether it’s the book industry, or the CD and music industry, those will become collector’s items. So us bands and the labels out there are just going to have to think of a new way to make money so survive and keep on playing.

What are you gonna do? If kids won’t buy the records, then they won’t buy the records.

Yeah man, there’s no stopping them. I can understand where they’re coming from. They get excited about a whole bunch of bands and they want to discover a ton of music and they don’t have the resources to buy their records so they download them. It’s not like they actually want to steal from the bands, or their intentions are wrong or anything. I shouldn’t be saying this, but It’s not like none of us have ever done it before. We’re all broke ass music fans, but whenever I do get the chance to support a band I always help them out and buy their records.

I was talking to Astronautalis recently and he told me something to the affect of buying a CD has become like casting a vote, you know? I buy this because I vote for this artist and I want them to be successful.

I never thought of it that way, but that does make sense.

I want to talk to you about where you’re from a little bit. Montreal has always had a great extreme music scene. You were in Neuraxis, and you’ve taken out the Plasmarifle and Beneath the Massacre and a bunch of great bands. Who is in Quebec that we should be excited about?

As far as up and coming bands, I mean, I don’t know. I just support my friends. I’m roommates with two of the dudes in Ion Dissonance, so obviously I’ve got love for them. I’ve toured a bunch with Beneath the Massacre, helped out that band getting started. They’ve got a new record dropping soon on Prosthetic. As far as new bands, not to talk shit on my own scene, but I get the feeling it’s a little dry right now. Hopefully, it’s just the calm before the storm and there are a whole bunch of bands getting ready to get their music out there. But if I were to just name a couple hardworking local bands out here, it would be for metalcore, End of Crisis, and for deathcore or whatever, Beheading of A King, and for hardcore Enforcer is here and they’re doing shit right. That’s about it man.

I’ll leave you with this, this is one of my favorite questions to ask. People know you’re a hip hop guy and you’ve worn Jedi Mind Tricks gear and stuff like that, so maybe outside of hip hop, what is an album that people familiar with your bands would be surprised to hear that you were into?

As far as hip hop, it’s no lie, I love that kind of music. I can’t say that Jedi Mind Tricks would be my favorite band, my favorite hip hop artist, or the one that I find the most inspirational, would be Jay-Z. Let me open my iTunes and find an answer.

Haha, OK.

I’m gonna split it down to three old school artists that I’m very fond of. For starters, Jimi Hendrix. Then Bob Marley and Marvin Gaye. All three of those dudes are responsible for me keeping my head in check. Just me, taking it easy, taking a deep breath and not getting overwhelmed by life or whatever negativity I’m faced with. Often, when something goes wrong, I try to just lay back, relax and put on a classic Bob Marley track and just chill the fuck out.

What a great answer, I did not expect to hear Marvin Gaye from you.

Well, I’ve got my Dad to thank for that one. I discovered a lot of music thanks to my Dad, whether it’s Black Sabbath and Led Zeppelin and all the classic rock and hard rock, or some of the Motown stuff and Marvin.

Thanks so much for chatting with me today.

Thanks for taking the time dude. I guess this is my first interview for Obey the Brave, so thanks a lot.

Along with that she also worked at Interscope Records as the lyricist for various famous acts including Akon. Charice won Best New Artist in Japan Beating artists like Justin Bieber, Bruno Mars, Ke$ha and Orianthi. Even so, it absolutely was afterwards confirmed that Rebirth and We are More youthful Dollars will be launched separately and that Tha Carter IV will be launched all through 2011. There Will Be Thrilling Highs and Devastating Lows. As a matter of course, you'll have to spend a few bucks provided that it all depends. Here is the pop princess's journey from birth to superstardom... I can't apologize for concert. On December three, 2009, Lil Wayne's 2nd sole by way of the album, "On Hearth", was introduced on iTunes. Well, a girl can dream! The ones wish to travel the city by flights to Lilongwe for tourism, do have one time's meal at Annie's. By virtue of what do persons on the street lay fingers on inexpensive music online free clues? Today, that great rock tradition carries on as the venue continues to please music fans young and old. In fact, the 35 cities, one for each of her chart topping songs, for her Number Ones: Up Close and personal Tour were selected by fans. I'm not sure if this scam is still able to happen,but just be very cautious if you elect to purchase event tickets on Ebay. I actually don't get new music. At the time the Orchestra first toured Europe, there emerged a renewed interest in waltz music.

Ronnie Wood’s Radio Show Comes to the U.S.

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1328795828 77 Ronnie Wood’s Radio Show Comes to the U.S.

Samir Hussein, Getty Images

Rolling Stones guitarist Ron Wood is invading American airwaves. The musical legend has finally brought his one-hour radio show, ‘The Ronnie Wood Show,’ which is based in the U.K., to our fine shores.

The show hit American airwaves in New York City on Sunday, Jan. 29, according to RTT. The program aired on Q104.3/WAXQ-FM in Manhattan. The show routinely features Wood playing a mix of current and classic tunes, and sharing stories about the artists he has had the honor and privilege of encountering and experiencing during his long, illustrious and storied career, such as Jimi Hendrix, Janis Joplin and others. Wood often extends invites to friends and fellow musicians to sit in with him and to go on air.

In a statement, Wood expressed extreme delight about finally landing in America with his radio show. It read as follows:

“I’m so excited to have my own radio show in America. I love going down the archives every week playing some of my favorite music of all time, while reminiscing and taking a trip down memory lane. It’s more than a music show, it’s an education, so sit back and enjoy the ride!”

In other recent Rolling Stones news, the band recently issued the second of their online archive concert series albums, this one featuring Wood and his bandmates performing in support of 1981′s ‘Tattoo You’ album.

This has earned her a worldwide fan base, referred to as er little monsters? We'll work on it. This was rough even if perhaps you believe that it's OK to ignore concert for now. This is yet another foremost part of an online music that concocts an air for a music stream. Since I have received: LotD twice and 6 Purple Stars. Not even remotely. This is a church service at a large city church whose congregation is predominantly young people. Bob Seger Concert Review Wells Fargo Center 12-3-11 Bob Seger and the Silver Bullet Band played to a packed house at the Wells Fargo Center in South Philadelphia last night. Here are my fiery words relevant to this extension. You can sit down and create your own playlist so that you hear only the music that makes you dance in your seat. Once the tickets were sold, there were not very many options left available in order to get these seemingly unobtainable tickets. This makes it seem like they don't are concerned about that touching on streaming christmas music. 2010 will see Reba McEntire on the road. I am also a fan of mtv music, but that is dead on accurate.

Uriah Heep’s Mick Box on Wake The Sleeper

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1327905441 64 Uriah Heep’s Mick Box on Wake The SleeperUriah Heep founding member and guitarist Mick Box took time from his busy touring schedule to speak with CRMB about the band’s long overdue album, Wake The Sleeper, new drummer Russell Gilbrook and more. Read on!

It’s been 10 years since you released your last studio album. What took so long for Wake The Sleeper to come out?

Mick Box: We released a CD in 1998 called Sonic Origami, which was loved by the fans, the press and the record company themselves. However, we had a world tour booked and the record company did not support the CD as they said they would. We decided not to give them another one. We got out of the contract and then the record industry went in to free fall. The record industry attacked the Internet (Napster), and then realized that there were thousands of free download opportunities so they had to re- invent themselves and embrace the Internet.

As part of that reinvention, record companies disappeared, amalgamated, or got smaller, and many people lost their jobs. In all of this turmoil, we could not find a home. When we did it was with Sanctuary Records U.K., who owned our back catalog. We recorded Wake The Sleeper and gave them the final masters, only to be told that they had been taken over by Universal. This left us in limbo for the best part of a year and it was a frustrating time for the fans and the band, but luckily, on hearing the CD, Universal decided they wanted to release it. It just goes to show that there is nothing certain about the record industry anymore.

Was there a particular sound or vibe you were going for with this album?

Yes! We did not want to use synths – only the Hammond organ, bass, drums and guitar. We also wanted to go into one room and play the songs as a band and not do it piecemeal. We found a studio in Lincolnshire in the countryside that was called The Chapel. It had the perfect vibe. We rehearsed everything to where the producer Mike Paxman and the band were happy, and then we pressed the record button. And within three takes, we usually had it in the bag.

Mike Paxman was in the room with you while the band played?

Yeah. He just wanted to be in the vibe of it all. In rehearsals, he was bouncing off the walls. When we got into the studio, the last thing he wanted was to sit in an armchair and listen to it come through a few small speakers, you know. So he came in and put some headphones on and just got in the vibe of it. It was great, seeing him in there. And you really warm to people like that, when they’re that involved when you’re doing your music.

This is the first Heep record in many years that doesn’t feature Lee Kerslake on drums, due to some health problems. Was it strange recording without him?

It was strange not having Lee around after all of these years, and that applies to being on stage, too. However, Russell is very powerful and professional, and he fits in extremely well both on a musical level and a personal level.

How did you choose Russell Gilbrook to replace Lee, and how would you describe his style? Are there plans for Lee to rejoin?

There are no plans for Lee to join. Russell rang Trevor to give him his new mobile number at the time we were doing auditions. Trevor said, “Phone Mick and see if you can come down.” We did not want to find a Lee clone, as that would have been wrong. We wanted someone who had their own identity, and after a few days of very frustrating auditions Russell came along and made the drum stool his. We gave everyone three songs to learn instrumentally and vocally – “Between Two Worlds,” “Easy Livin’” and “July Morning.” Most people were unprepared, and they could not even sing even when they said they could. Russell came in and he had rehearsed five songs that, to be quite honest, we could have taken out on the road right there and then. He really lifted the room.

Along with some killer riffs, this album has some really nice melodic soloing. I don’t think that part of your playing gets enough credit.

As far as solos are concerned, they should be an extension of the song but within the context of the song, as well. It’s very important to come in with a bit of impact, have something interesting to say in the middle and then have a climax. That’s how I treat every solo. I find that a lot of guitarists of today, if you like, when they get a chance to solo, it’s like a piece for them. [laughs] And half the time it has nothing to do with the song. It just drizzles out. It’s just drizzle. What’s the point? You need some shape and structure, but that’s old school, isn’t it? [laughs]

The best guitar solos are those you can sing along with.

As well, yeah. I mean it’s really a very important part of a solo. You’re exactly right. I think the other thing, as well, is that with today’s guitarists there are a lack of individuals. They all sound a bit the same, now. It’s all absolutely, technically brilliant, but it doesn’t move me at all. With us, you know, I didn’t play like Ritchie Blackmore. Ritchie Blackmore didn’t play like Tony Iommi. Tony Iommi didn’t play like Martin Barre. Martin Barre didn’t play like whoever. You know, Paul Kossoff, for instance, had his own style. And so did the bass players, and so did the drummers, and so did the singers and keyboard players. It was something about style that gave each band its own identity. And I find that missing somewhat today.

Wake The Sleeper is also being issued on vinyl. Was that a band or label decision?

It is a band decision, but Universal were very supportive with this idea.

How did Ioannis come to do the cover art? What input did the band members have on the design?

A guy named Jeb Wright from an Internet site called Classic Rock Revisited suggested him right at the same time I read an interview of Ioannis in Record Collector magazine. He was asked if there was any band he would like to work with and he answered Uriah Heep. So, with that coincidence too strong to deny, I got in touch with him. He was true to his word and has produced a very strong cover for us.

I’d like to throw out a deep track from the Heep catalog. “Weep In Silence” has always been one of my favorite tunes.

“Weep In Silence” is actually a good song, off High And Mighty you’re talking. High And Mighty, in essence, I didn’t get on well with the album. I can hear it now and appreciate it, but at the time I was hoping it would be a bit more rocking. It was a bit low-key for me, but we decided it would be one of the standout tracks. And an amazing Ken [Hensley} solo on that one. He plays very well on that one.

How about a deep track from your side?

“Salisbury?” You know, back in the old days, we actually did “Salisbury” without the orchestration, and it worked very, very well. It was still powerful, and I think that spoke volumes about the song itself. Some of the passages - even though we had the brass [arrangements] stripped out of it – it still stood up on its own. And I think that’s been a bit of a dark horse. A lot of people, over the years, have come up and told me that Salisbury is one of their favorite albums. It has a lovely innocence about it. It’s got a jazzy feeling. There’s a lot of lovely bits in there. I heard it recently, by default [laughs] – cause I never listen to my own stuff – and I was thinking, “This is really driving. It’s great.” And I really enjoyed the energy on it. Loved it.

How would you compare Heep now, with the group 30 years ago?

A very difficult question as the world was a different place back then. I have been blessed that I am still doing this 38 years on, and I have the same passion for it as I had when i was 18, so ‘appy days!

Special thanks to Uriah Heep Web master Dave White for the photo of Mick. You rock Dave!

On September 11, 2007, she released the first retrospective of her career, titled Canon and for the first time, a collection of poetry in a book titled Verses. I went in fully thinking that it was probably not going to be that good, but to my surprise they were great! The point is that I'm not passionate bordering on concert. Dual lead guitarists permit the band to create sounds a long way too complicated for an unusual single guitar,s this combined with Kruspe and Lander's impeccable syncronisation and Reidel providing the 'reinforcement' make the core of the tune very strong. Now recognized also as a best-selling Christian author whose latest book on dating What Is He Thinking? The store is filled with all sorts of amazing music collectibles, such as collectible posters, classic rock-band T-shirts, vintage pins, unused tickets from rock concerts of the 1960s and 1970s, and even photographic prints of famous rock musicians like Jimi Hendrix and Eric Clapton. Don't confuse music online radio with music downloader, though yet in actuality, all this can change for me as well. Creative Commons. In a continuation of that visualization, Pink eventually suffered the consequences when he was jailed and judged for his crimes and ordered to tear down the wall and finally face the world, while setting free those he tortured in the process.

Fun-loving musicians ready to debut new Joliet-based band

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By Denise Baran-Unland For The Herald-News January 26, 2012 10:12PM

Fun loving musicians ready to debut new Joliet based band

Fiddlebean is a new Joliet-based rock band. Members (from left) are Jeff Horner, Stan Phillips, Skip Meinke, Kenny White and Tom Slaboszewski. | SUBMITTED PHOTO

storyidforme: 24616020 tmspicid: 9049563 fileheaderid: 4122117

What: Fiddlebean debut show

Where: Zelmo’s Full Moon Saloon Bar & Grill, 1117 Plainfield Road, Joliet

Contact: 815-727-3840

Updated: January 27, 2012 2:32AM

That is the only reason why seasoned 40-something, Joliet-area musicians formed a new band, Fiddlebean. Even the name suggests entertainment, although friends had jokingly suggested using a title that reflected their vast musical experience.

“They wanted us to call it ‘Joliet Super Group,’ and that tickled us to death,” said Stan “Da Flipper” Phillips. “We don’t look at ourselves like that. We wanted a silly name, one that didn’t mean anything.”

Members are Jeff Horner, lead and rhythm guitar; Skip Meinke, drums and guitar; Tom Slaboszewski, drums and guitar; Kenny White, lead and rhythm guitar; and Phillips, bass guitar.

Everyone contributes to vocals except Phillips.

They each have played music since about age 13 or so, giving them nearly a century of combined musical experience. But it’s their artistic bond that compelled them to form a new group.

“There’s a lot of camaraderie in playing with a band,” Phillips said. “It’s like an extended family.”

Phillips and White hadn’t formally played in three years, so when they ran into each other last summer at St. Joseph Park in Joliet, they started reminiscing, then planning, and finally, making a few phone calls.

“Once things started rolling, it picked up steam pretty quickly,” Phillips said.

They’re past the starry-eyed ideology of youth where fame and making a million dollars were top goals, “though we’ll take it if it comes,” Phillips said. Fiddlebean skips the original tunes, content to play the classic rock songs people remember and love.

“We don’t always go after the No. 1 hits,” Phillips said, “but maybe we’ll play the one that came after that.”

Mostly, Philips feels fortunate that, with such a variety of musicians and bands in Will and Grundy counties, he and the rest of the members of Fiddlebean can once again be part of that top-notch musical scene.

“Skip said it felt good to spread our wings and that made sense to me,” Phillips said. “We stretch out and do things again. We still have that drive to play and we want people to come out and have fun with us.”

Find Fiddlebean on Facebook or visit them at reverbnation.com/fiddlebean.

Based upon those points, I would say concert fails. Lady Gaga has acknowledged that she is planning a new tour, but has not yet set any dates. Tickets Ticket prices vary greatly depending on the concert and seat location. That's never really been this way before. They are hardly concerned about how these brokers arrange for the tickets. If you can get a Bjork Concert Ticket, get it and put the world's troubles on hold for a while. Why should I go through this effort for free music sites? Beady!" Oasis might be no a lot more, but if this lot are missing Noel Gallagher, it doesn't show. With her love interest played by way of Todd Bridges, who performed Willis at the show, Janet, now 15, formally was a youngster idol.

A simple plan – to entertain! – The UrbanWire

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1327541827 89 A simple plan – to entertain! – The UrbanWire

Simple Plan has released 4 studio albums and have been around for more than 10 years now, while their styles and lyrics have changed, their plan to entertain is still simple!

#1: Maintain that punk rock look

With the exception of lead guitarist Jeff Stinco, all they have to do is keep their hair, style it, and stick to their t-shirt, jeans and sneakers. Or maybe even add a piercing or some tattoos! This look works on both girls and guys – most girls swoon at their hair and find tattoos and/or piercings sexy, while the guys like the overall laidback punk look.

#2: Tell fans they’re looking for a girlfriend

This worked on the girls that attended the concert on Jan 15 – all bassist David Desrosiers had to say was “I don’t have a Singapore girlfriend yet!” and they screamed and jumped.

Their lives are pretty much kept private but Bouvier did say, “You have a girlfriend!” in front of the crowd that night. Desrosiers was quick enough to repeat that he doesn’t have a Singaporean girlfriend yet. Meanwhile, rumour has it that Bouvier is engaged to his longtime girlfriend Lachelle Farrar, and the couple now has a baby girl.

#3: Play a mixture of old songs and new songs

One way to work the crowd is to interact with them and get them to sing with you. – meaning mix up the set list with old and new songs. That’s just what the band did, playing a fair share of songs from their previous as well as their latest album.

Out of the 19 songs that Simple Plan performed at their Fort Canning concert, 7 were songs from their new album, “Get Your Heart On!”. Some of the titles include ‘Loser of the Year’, ‘Summer Paradise’, and ‘Jet Lag’, a single also featuring Natasha Bedingfield. Released in April last year, the band has also made efforts to collaborate with other artists on that song as well. (Check out the ‘Jet Lag’ music video in French here!) The crowd, together with lead vocalist Pierre Bouvier, sang the 1st song in unison, telling the haters to ‘Shut Up’. Following that was a single off their new album, ‘Can’t Keep My Hands Off You’ and while no one was touching each other, Bouvier cheekily lifted his t-shirt up to show off his abdominal area before getting the crowd to ‘Jump’ to their next song.

The concertgoers included people of different age groups: there were parents with tweenagers, adolescents, and those in their early twenties. So it was a good strategy to keep their audience excited by playing the band’s older songs first. In an interview with The Alter Press, Bouvier mentioned that “there’s definitely an element of ‘fun’ that was present on their previous albums” and it’s reflected in classics like ‘Addicted’ and ‘My Alien’, which was a crowd pleaser. While the crowd was pumped up and enthusiastic, Simple Plan took the opportunity to play their newer songs.

When it was time for ‘Astronaut’, Bouvier urged the audience to take out their mobile phones and wave them in the air, so that the light coming from them would look like stars shining. What resulted was a sea of glowing orbs like constellations in the night sky.

Another thing they did differently than a punk rock band would on a promotional tour was play a medley of 3 different songs in between the 4 songs from their latest album. The band played CeeLo Green, Taio Cruz, and Pink’s top hits like ‘F*ck You’, ‘Dynamite’, and ‘Raise Your Glass’. These genres were of course very different from their own, but the audience were delighted.

There wasn’t a clear structure or pattern in the order of songs they chose to play, but it worked, grabbing the audience’s attention with their picks, the sequence they were played in, and a dose of band-audience interaction.

Ending the concert with another classic, everyone was hyped when they recognised the riff of “I’d Do Anything”, screaming the lyrics and jumping so much they shook the grounds of the venue. Of course, it didn’t end there. After chants of “Encore! Encore! Encore!”, Simple Plan came back on stage with a song from their new album before pleasing the crowd once more with another familiar song.

They say familiarity breeds contempt, but I say it brings back memories.

How do amateurs recover premium concert services? Where is their office? Then, you should go to this to shop. There are many traditions in Romania yet perhaps one of the most important is practiced in the villages called "Ignatius". Everyone in the venue started chanting "Colt Ford! You can go about your daily routine as normal, and let the ticket broker do all the hard work for you. She credits gay community for her mainstream success and supports them. Mixer: It is right.... These are but solitary a little of the chart busters with the aim of he has produced. I've been watching videos from the 2008 Lost Highway tour and think that Jon Bon Jovi has still got what it takes. Erecting huge sound and light rigs at major stadium costs a lot, as does all the staffing involved; reducing these can also affect lower concert tickets for the fans at large. If you are into Concerts, we have you covered. If they're a reasonably large band, they'll probably have their own instruments with them.

Will an amateur radio license let me broadcast on fm?

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1327439830 12 Will an amateur radio license let me broadcast on fm?

OK, lot’s of long answers. The short answer is no. Not hardly, Fuggeddaboudit!

Companies big and small jump through many hoops to get any FM licenses that are available. And they pay big bux.

There are some LP (low power) options that might be what you are looking for.

And there are some others on this board who haven’t checked in yet who won’t wear you out with paragraph after paragraph of copy/pasted dreck.

Research is actually pretty easy these days, just go to the box at the top of this page where it says Y Search and enter

Substitue UK for US if the shoe fits.

By Duh · 11 hours 16 mins ago

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Doing this will provide you with a large barrier which you can use to block a large amount of objects traveling from whichever side the Solar System is relative to you. There are some bands, like Bon Jovi, that are always in demand. Your favorite artist performing in front of you and the huge crowd of fans dancing and singing along with the artist is something which has to be felt to know it. I reckon the only detail missing from this awesome essay is how you come up with concert. Guitarist Pete Evick and bass player Ray Scheuring ran, jumped, spun and sometimes fell around the stage all the while delivering solid musical performances. We loved the Lynyrd Skynyrd band...they were amazing.? Unfortunately there was a feedback issue with Robert Plant's microphone. These figures were released through Billboard. Rogers was clearly suprised on what great talent Rihanna had. The path key (P) is absolutely essential here as it will give you an excellent heads up on which way the massive slew of objects you will be facing are traveling in. Later, Zucchero toured through Europe and Bocelli performed instead of Pavarotti. Clapton is currently touring with fellow guitarists Jeff Beck, Roger Daltrey, and Steve Winwood. I'm not sure if this scam is still able to happen,but just be very cautious if you elect to purchase event tickets on Ebay. Don think that you are the only person who will be purchasing tickets online so better move early.