Top choral composer Bob Chilcott to conduct concert in Fletching

1327689429 33 Top choral composer Bob Chilcott to conduct concert in Fletching

Published on Thursday 29 December 2011 15:56

BOB CHILCOTT, described by Gramophone Magazine as ‘one of the finest choral composers at work in Britain today, is to conduct at a concert in Fletching on Friday, January 6.

The concert, called ‘Ring Out Wild Bells,’ is an evening of Christmas and Epiphany music and includes the world premiere of a new work by Chilcott as well as works by John Rutter, Benjamin Britten and others. Congregations will join in singing the Sussex Carol arranged by David Willcocks.

Bob Chilcott is a former chorister and choral scholar at King’s College, Cambridge and for 12 years, a member of the vocal group, The King’s Singers.

Harriet Creamer, chair of the Friends of Fletching Parish Church said: “Bob Chilcott is one of our most exciting composers. His choral music is glorious to listen to: we’re incredibly lucky that one of his choral works is being premiered in Fletching church.”

Chilcott has been a full-time composer and choral conductor since 1997. Principal guest conductor since 2002 of the BBC Singers in London, he has conducted many other distinguished choirs including The World Youth Choir, The Tower New Zealand Youth Choir and the RIAS Kammerchor in Berlin. He regularly leads singing days for communities and schools in Britain. Over the past twelve years he has conducted and given workshops in 23 countries worldwide.

The professional London choir the Band of Voices will be accompanied by Charlotte Buchanan on the trumpet and Tanya Houghton on the harp.

Proceeds from the concert will go to The Friends of Fletching Parish Church, a charity set up in 1991 to help maintain the imposing 13th century church.

The concert starts at 7.30 pm. Tickets, priced at £12.00 in advance or £15.00 at the door, including a glass of wine and nibbles, are available from Harriet Creamer, tel. 01825 722777 or .

The Friends of Fletching Parish Church has raised over £315,000 and funded works including extensive repairs to the roof and reshingling of the spire, complete rewiring, and replacement of the heating system. This concert will showcase the new £27,000 lighting system which has just been installed thanks to funding by the Friends.

Rock Band 3 Music Store Adds Tears for Fears and Sum 41 Singles

1327685837 71 Rock Band 3 Music Store Adds Tears for Fears and Sum 41 Singles

On January 31st, you’ll be able to give your PlayStation, Wii, and Xbox 360 version of Rock Band 3 a fat lip then stand there waiting for it to fall head over heals. The thee singles below are making their way to the Rock Band Music Store:

  • Sum 41 – “Fat Lip” (Has Pro Guitar and Pro Bass expansions at an added cost per song.)
  • Sum 41 – “Still Waiting”
  • Tears for Fears – “Head Over Heels” (Has keyboard support.)

Each song will run you $1.99 USD (160 Microsoft Points, 200 Wii Points) with the Pro Guitar and Pro Bass expansion adding $0.99 USD (100 Wii Points™/80 Microsoft Points) per song.

Unfortunately, this DLC update does not include the “literal version” of “Head Over Heals,” you’ve got the internet for that. So grab your monkey, put on your gas mask, and play the keyboard.  It’s time to return those library books.

Dave Bidini: Mark Wahlberg explains himself

1327684627 67 Dave Bidini: Mark Wahlberg explains himself

I’m Mark Wahlberg. I said this a few days ago and I’ll say it again: “If I was on that plane [on 9/11] with my kids, it wouldn’t have went down like it did. There would have been a lot of blood in that first-class cabin and then me saying, ‘OK, we’re going to land somewhere safely, don’t worry.’ ”

It’s pretty simple, yo. Desperate times require desperate measures, every time and all the time. Desperation is what I’m all about, Holmes. I feed on it. I’m fuelled by it (no fear). If you’re not desperate in this life, you’re nothing but a weak little turtle who lets themselves get pushed around by bigger turtles. But bigness isn’t measured by the size of one’s shell. It’s what’s inside the shell. Yo. The shell. No fear.

With this kind of attitude, the world would be a much better and more fulfilling place (kisses ring; crosses himself). For instance: war. There would be no war if I had anything to do with it. And I’m not just talking now, Holmes. I’m talking before, in, like, all of recorded history, over the enormous and rippling tides of time; Cecil B. DeMille and all that (lays hands across chest).

Like, yo, the First World War? The archbishop who got shot? Easy. I woulda dived in front of that carriage and stopped it before the shooter had a chance. I woulda held the rear axle with my legs and drained the steering fluid with my teeth. Then I woulda bounced up and grabbed the shooter and pulled his vest over his head and wailed on him, knocking off his stupid little French hat or whatever he was wearing and telling him (in a soft, but rough-sounding, voice): “Your mom and dad sacrificed their lives for you and this is how you repay them? They got up every morning to go to their jobs to earn the cash to buy you footballs and chewing gum, and you honour their memory by taking a shot at this bearded man in the streets of a town that smells so eloquently of bread and chocolate?” I would make him see the ills of his ways because people can’t learn by just teaching them. You’ve gotta make them see, you’ve gotta drive home your point (repeatedly stabs pointer finger at his temple until it actually hurts). Sure, I may be a super-actor and a wealthy celebrity but, yo: those aren’t my true gifts. My gifts are what I like to call aggressive reasoning. You don’t believe me? Try it. Money-back guarantee, Holmes. Money-back guarantee.

I could take down any cretinous villain (no fear). Hitler, for instance. See, I would have gone after him big, with a full load, guns screaming from above and me rolling and juking through the underbrush outside his enclave dressed in camo, not like that BS poison-his-breakfast espionage thing that Tom Cruise tried to pull off in that stupid movie (crosses-eyes and lets tongue loll out of mouth). See, there is no reasoning with a villain. None. I would say the same for the Penguin, who Batman just couldn’t beat, even though he was, like, three feet taller than him. The Penguin was a lot like Hitler and I would approach him the same way. I’d get the biggest dudes I know — maybe Ochocinco or Sam Jackson or Shaq, provided I could get him away from the pool (Shaq loves his pool!) — and just rain hellfire on his ass, American-style, Navy SEALS-style, Black Ops-style, Wahlberg-style. Wahlberg-style. Ladies, don’t it feel good just saying it?

You could basically apply the theory of aggressive reasoning to anyone, least of all those 9/11 whackjobs. If I’d had anything to do with it, the Seven Years’ War would have taken two years; the Long March would have been shorter than a New England fun run; the Vietnam War would have been nachos and cheese at Hooters; and the Crusades would have been over before bread was invented. All villains bow to me, real or imagined. I would have turned the Wicked Witch of the West into candle wax way before the movie’s ending (snaps fingers once) and I would have fought that mofo shark right there in the water with nothing but a crusty old flip-flop so that Robert Shaw didn’t have to die in Jaws (snaps fingers a second time). People sometimes ask me if I would beat up Darth Vader. I tell them, “Darth Vader? Darth Vader?!” Then I just walk away, ’cause anyone who thinks I couldn’t take him should come and watch me bench press some time. With my shirt off. On my balcony. Woot Woosh! Woot Woosh! And for the record, no, Tom Hanks would not have betrayed Meg Ryan in You’ve Got Mail. Me, I woulda made him face up to his business with some good old aggressive reasoning. Wahlberg-style.

People sometimes ask me about Jesus, and would I have saved him? Here, I have to be straight up with you for a moment (tents fingers and tilts head in prayer). See, I woulda considered this my greatest assignment (points finger into imaginary camera). There’s no way those infidels would have done to him what they did if I’d been around. Even though guns weren’t invented yet, I woulda invented them. I woulda made an Uzi out of mud and stone and built yellow pepper grenades and planed starfish into ninja stars and just gone ape on those disbelievers (voice sounds heated and loud). I woulda rescued our homeboy and got him out of there, and, true, the kids would be deprived of Easter chocolate evermore, but at least they’d have their big daddy around to tell stories of the old days and the Little Drummer Boy and Cyclops and the Kracken and Jurassic Park and Charlie Chaplin and Colonel Sanders and The Beatles and American Pie and Madonna and the REAL Santa Claus, if you know what I mean (eyes rolling crazy in his head). People had to learn to man-up then, and they need to man-up now (salivating, just a little). Lucky for you, I arrived just in time, Holmes (laying down on the floor). Wahlberg-style (sucking thumb). Aggressive reasoning (eyes closing) Ladies, don’t it feel good just saying it?

Slipknot’s M. Shawn Crahan To Star In “The Devil’s Carnival”

1327683432 15 Slipknot’s M. Shawn Crahan To Star In “The Devil’s Carnival”

Slipknot percussionist M. Shawn Crahan (aka Clown) will make his acting debut in the upcoming film “The Devil’s Carnival“. Speaking on his involvement, Crahan stated:

“I am very honored to have been asked to be a part of this project. I play a character called The Tamer. And let me tell you, there is a little Tamer in all of us. It’s always been a dream and a goal for me to try and act in something that is filmed besides music videos. I am very honored to have the opportunity to have worked with so many talented actors and people who are involved in making this production come to life.”

The horror film is apparently behing helmed by director Darren Lynn Bousman (“Saw II“, Repo! The Genetic Opera“). More on it can be found at Thedevilscarnival.com.

Mozart as concertmaster will be channeled by guest concertmaster as soloist in Grand Rapids

1327682227 40 Mozart as concertmaster will be channeled by guest concertmaster as soloist in Grand RapidsCourtesy PhotoViolinist Steven Moeckel, concertmaster of the Phoenix Symphony Orchestra, will be guest soloist with the Grand Rapids Symphony in Mozart’s Violin Concerto No. 5.

GRAND RAPIDS – Wolfgang Amadeus Mozart is best remembered today as a composer of operas and symphonies and as a virtuoso pianist who dazzled Vienna with his proficiency.

But his first professional job on his own, beginning at age 17, was as violinist and concertmaster of the court orchestra in Salzburg, where he wrote his first violin concertos.

Grand Rapids Symphony’s own concertmaster, James Crawford, was scheduled to play Mozart’s Violin Concerto No. 5 this weekend with the orchestra, but he bowed out for personal reasons.

Stepping into the soloist spotlight will be violinist Steven Moeckel, concertmaster of the Phoenix Symphony Orchestra, to play the concerto nicknamed “The Turkish.”

It’s not absolutely certain Mozart wrote it for himself. But it’s certain beyond a reasonable doubt, Moeckel said.

Mozart likely wrote all five of his violin concerts in the same year – 1775, while holding the concertmaster’s post in Salzburg.

“That was the time when more and more soloists were emerging,” Moeckel said. “But any composer who would play as many instruments as Mozart certainly had performance in mind.”

What’s more, not just any violinist at the time could play it, said music director David Lockington.

“It’s a very challenging concerto,” Lockington said. “It requires great panache and precision.”

Lockington will lead the orchestra on Friday and Saturday in a program of staples of the repertoire by Mozart and Beethoven from the late 18th and early 19th centuries, beginning with Carl Maria von Weber’s dramatic overture to his opera “Der Freischütz,” a supernatural folk tale about a marksman who contracts with the devil to acquire bullets that never miss the target.

The programs in DeVos Performance Hall end with Beethoven’s Symphony No. 2, the composer’s final, early symphony, before the stylistic leap forward that led to his “Eroica” Symphony No. 3.

“It’s classical and pushing the boundaries way beyond his usual style,” Lockington said.. “It really should be heard.”

Mozart’s final violin concerto doesn’t sound anything like Turkish music. But 18th century Austrians used the term liberally to refer to anything that sounded exotic.

“The threat of the Turkish invasion was always there,” said Moeckel, a German-American who once lived in Salzburg, just blocks away from Mozart’s former home.

“I think it had more to do with the percussion instruments they were using,” he said.

Turkish or not, Mozart’s final violin concerto is his most popular among audiences, and a work that violinists look forward to playing, though it isn’t as easy as it looks.

“It’s always difficult to play Mozart. It’s supposed to sound easy and light and everyone smiles, but it’s so transparent and so difficult,” he said. “You’re standing there and everything has to be so pristine. It has to seem easy. But you’re just naked.”

Challenging or not, it’s a piece he’s looking forward to playing.

“Getting called and getting to jump in an play a concerto is so thrilling,” Moeckel said. “And I’m so lucky because a lot of violinists never get to perform it.”

Here’s Steven Moeckel playing and chatting about Pablo de Sarasate’s “Carmen Fantasy”

E-mail Jeffrey Kaczmarczyk:

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1327681026 68 Posts navigation

Slipknot members Corey Taylor and Shawn “Clown” Crahan recently revealed that they’re starting up their own film and television production company, and the duo have already released a special 15-minute film giving us a previewof what’s in store. Come and watch ‘Thy Shalt I’ inside…

So we already know that Slipknot’s Corey Taylor and Shawn “Clown” Crahan were putting together their own film and television production company, but we didn’t expect it to bear fruit as quickly as this.

The duo unveiled a special 15-minute feature at last weekend’s Sundance Film Festival, titled ‘Thy Shalt I’, although at present it’s unclear if it’s to be part of a larger project or just a preview of the kind of stuff we can expect to see once the company gets rolling.

Check it out for yourself below…

“It’s something that we’re very passionate about, you know,” Taylor told The Pulse Of Radio. “We have the same passion for film as we do for music and it’s really just our way of kind of, you know, learning the business and once we learn a little more, you know, we get a few projects under our belt and we’re gonna start accepting scripts and developing our own scripts, and I think it’s gonna be something that’s really cool.”

In a statement, Taylor described the company’s first, yet-to-be-named project as “very psychological,” adding, “It’s a study in ‘Did my eyes see what I think they saw?’ It’s definitely going to stir the pot and get the world talking.”

Source : Metal Hammer

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Album of the day: Les Goths – Reve De Silence

1327679833 41 Album of the day: Les Goths – Reve De Silence

Praise for Les GothsReve De Silence from San Francisco’s aQuarius Records: We have to say, that lots of the time, when a band is touted as being some lost heavy psych or proto-metal classic, it often eventually turns out to sound sonically more like blues rock or bar rock, with merely HINTS of that psychedelic heaviness that lured us in, in the first place.

Such is most definitely NOT the case with obscure French psychedelic rockers Les Goths, who within one track, establish themselves as a serious sonic juggernaut, obviously beholden to Hendrix and Cream and Blue Cheer, and yeah, with hints of sixties blues rock. But with a tendency for wild super distorted guitar playing and wicked bombastic drumming and dramatic vox, not to mention a raw, in-the-red production which only enhances the band’s fierce sound.

Some of us were definitely reminded of sixties Swedish psych trio Baby Grandmothers, and anyone who bought their now out of print reissue on Subliminal Sounds (and that was a whole lot of you!) is for sure gonna want this. Check out the first song and see if you’re not totally sold, a four minute non-stop blast of buzz drenched riffage and effects soaked garage psych pound, the guitars thick and distorted, the drums WAY up in the mix, the vox too, everything reverbed and echoey and a little blown out, some wild psychedelic leads, a total lost classic garage psych classic for sure.

We’ve probably listened to this track a hundred times since we first got this in, it’s the sort of track that would steal the show on any vintage psych comp, in fact it’s the sort of track that would inspire someone to CREATE an obscure psych comp. The song gets more and more distorted and druggy as it goes, we dare say worth the price of admission alone. But once you get over being obsessed with that track (if you ever do), there’s lots more here to dig into.

Tracks like ‘I Remember’ are bluesy groovers, displaying the band’s love of groups like the Animals, but even here, the sound is a little twisted, the arrangements a bit off kilter, with a little bit of that girl group vibe, cool soaring harmony vocals, with some super intense about-to-crack lead vox, all hazy and dreamy, and then the band slip right back into something a bit heavier and more propulsive like ‘Out Of The Sun’ with its low slung bass groove, wild tangled guitars and chaotic super busy drumming, the whole thing sort of sun baked and druggy, with some cool churning chuggy riffage surfacing throughout.

The rest of the record offers up more of the same, long stretches of brooding bluesiness, groovy psychedelic shuffles, and pounding garage-y stomps, in equal measure, always with some killer guitar work and easily some of the best drumming we’ve heard, which had us wishing there was a way to nominate Les Goths drummer Bruno Frascone as should have / could have been drum legend. Consider him so nominated! One of our favorite new garage / psych reissues for sure!

Like with all Shadoks releases, plenty of rare photos, lyrics and liner notes.

At 40 years old, Aquarius is the oldest independent record store in San Francisco. We try to only carry music we love, and we’re always searching for more new, cool, weird and wonderful music. All of which we then share with you, our loyal customers.

Tags: Album of the day, Aquarius Records, heavy psych, Les Goths, psychedelica, Reve De Silence, Shadoks Music

This entry was posted on Friday, January 27th, 2012 at 1:03 pm and is filed under 2012, Album of the Day, Roadburn Recommended . You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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BioExx Completes GRAS Notification Process for Isolexx(R) and Vitalexx(TM)

1327678631 65 BioExx Completes GRAS Notification Process for Isolexx(R) and
Vitalexx(TM)

TORONTO, ONTARIO, Jan 10, 2012 (MARKETWIRE via COMTEX) –BioExx Specialty Proteins Ltd. /quotes/zigman/48082 CA:BXI 0.00% (“BioExx” or the”Company”) announced today that it has received a letter from the USFood & Drug Administration (“FDA”), wherein the FDA confirms that ithas no questions regarding BioExx’s conclusion that its canolaprotein products are Generally Recognized As Safe (“GRAS”) for use ina variety of foods and beverages.

The FDA response was pursuant to a GRAS Notice submitted by BioExx toFDA documenting its conclusion that Isolexx(R) (canola proteinisolate) and Vitalexx(TM) (hydrolyzed canola protein isolate) areGRAS for use in a variety of foods and beverages. The Notice alsoincluded a report with such a conclusion from a panel of qualifiedexperts. The Notice informed FDA that Isolexx(R) and Vitalexx(TM) areGRAS, through scientific procedures, as ingredients in foods such asbakery products, snack foods, beverages, soups, dairy products, dryinstant milkshake mixes and protein drinks, instant powderednutritional beverages, processed meat and poultry products,vegetarian food products/meat analogues and meal replacement andnutritional bars.

While BioExx already has self-affirmed GRAS status for its proteinproducts, the enhanced stature of being GRAS Notified is expected toassist in market recognition and market acceptance, particularly inspecialty applications. The Company believes this enhancement to itsproduct portfolio will also assist its current global strategicpartnering initiative.

The Company also notes that its progress continues towards Novel FoodRegistration with the European Food Safety Authority, and itanticipates completion of the process in the coming months. EU marketsize and growth, and a strong orientation towards healthy living andsustainability, make this market a key long-term focus for BioExx.

Isolexx(R) is a protein isolate with at least 90% purity (proteincontent), comprised of un-denatured soluble proteins from non-GMOcanola. This allows Isolexx(R) to have excellent solubility, strongfoaming and emulsification characteristics, and an excellentnutritional profile. The protein delivers more than 109% of therecommended essential amino acids (WHO/FAO ref. 2007) and iswell-digested with a true digestibility of 95%. Isolexx(TM) is wellsuited to a wide variety of applications where soy, whey, or milkproteins are traditionally used. BioExx has also established aself-affirmed GRAS position for Advantexx(TM), which is a canolaprotein currently being produced by the Company at approximately 86%purity (protein content).

Vitalexx(TM) is a hydrolyzed protein with at least 80% purity(peptides and amino acid content) and a very low average molecularweight. This characteristic allows excellent digestion andabsorption. Vitalexx(TM) is 100% water soluble, forming a clearsolution across a wide pH range. It has an excellent amino acidprofile, with more than 117% of the recommended essential amino acids(WHO/FAO ref. 2007). The BioExx protein hydrolysis process alsolowers the prospective risk of immunological response, making itappropriate for sensitive immune systems and lower toleranceapplications. The true digestibility of Vitalexx(TM) is 98%, beingeasily metabolized and biologically available. Vitalexx(TM) isintended for use in human food products including nutritionalbeverages (protein drinks, fruit juices, infant formula, clinicalnutrition), and a range of healthy food applications such as proteinbars.

About BioExx Specialty Proteins Ltd.

Headquartered in Toronto, Canada, BioExx is a technology andprocessing company focused on the separation of oil and high-valueproteins from oilseeds for global food, beverage, nutrition, andother markets. BioExx employs trade secret, patented andpatent-pending technologies that utilize significantly lowertemperatures than conventional oilseed processing, in order to enablethe improved separation of proteins from oilseeds. BioExx believesthat these processes cumulatively have the potential to make avaluable contribution to global food and protein supply whilemaintaining an environmentally sustainable footprint.

To find out more about BioExx Specialty Proteins Ltd. /quotes/zigman/48082 CA:BXI 0.00% ,please visit bioexx.com .

The statements made in this press release include forward-lookingstatements that involve a number of risks and uncertainties. Thesestatements relate to future events or future performance and reflectmanagement’s current expectations and assumptions. A number offactors could cause actual events, performance or results to differmaterially from the events, performance and results discussed in theforward-looking statements, such as the economy, generally,competition in its target markets, the demand for BioExx’s products,the availability of funding, the efficacy of its technology, and theanticipated costs of BioExx’s plant construction and operation. Theseforward-looking statements are made as of the date hereof and BioExxdoes not assume any obligation to update or revise them to reflectnew events or circumstances. Actual events or results could differmaterially from BioExx’s expectations and projections.

Contacts: BioExx Specialty Proteins Ltd. Chris Schnarr Chief Executive Officer (416) 588-4442 x111 bioexx.com Investor Relations: Brisco Capital Partners Scott Koyich President (403) 262-9888

SOURCE: BioExx Specialty Proteins Ltd.

mailto: bioexx.com mailto:

Copyright 2012 Marketwire, Inc., All rights reserved.

Why comments and likes matter in the (new) media world

1327677428 56 Why comments and likes matter in the (new) media world

Being an editor for an online news desk, I value the number of clicks, comments, likes and tweets an article gets.

The number of comments or likes or tweets on an online news article or Op-ed do not determine its real worth, just its popularity. What is popular on news sites is ‘common’, ‘low-brow’ perhaps ‘sensational’ maybe even ‘gripping’ but it is rarely what is ‘good journalism’ or ‘valuable opinion’. Therefore, clicks, hits, comments and likes are definitely not a measure of success for a ‘real’ writer or journalist.

This is what the old vanguard of journalists, columnists, bloggers and writers of all-sorts would have you believe.

Being an editor for an online news desk has left me open to frequent attacks using the above argument in all its many forms, given that above all else, I value the number of clicks, comments, likes and tweets an article gets. In fact, more often than not, that is what forms the basis for my editorial judgment, particularly when it comes to story selection, story treatment and story layout.

“Sacrilege! Foul! Pathetic! No wonder you have an Imran Khan article stuffed into every nook and cranny of The Express Tribune website” argue the old vanguard. I wouldn’t deny them their criticism. The fear is warranted and very real.

Is journalism just about feeding the horde whatever rubbish they wish to fill their bellies with?

Isn’t it about providing a guiding light or beacon towards truth, accountability and justice, regardless of the cost and regardless of whether the report is ‘popular’?

Beyond that, wouldn’t this reduce the role of the journalist or columnist to a mindless automaton churning out article after article following ‘trends’ set by whatever article, topic or viewpoint is garnering the most clicks and likes at the moment?

On the face of it, this line of reasoning presented by the old vanguard is iron clad, but it is only so because it is fed to us with a set of unspoken assumptions that the writers of yesteryear (knowingly or unknowingly) wish to feed us piecemeal with the follow up to their argument:

Now go read my frankly stellar piece which did not get quite as many hits, and was perhaps not so popular, but is nevertheless (oh, the arrogance) possibly due to its lack of Facebook likes, a tad better than the usual crap you find online.

These journalists and intellectuals of a bygone era say this because they are, generally speaking, screwed. They play upon a number of assumptions about human nature which the internet, more so than any other medium due to its ability to allow a two-way dialogue, has undone.

Assumption 1: People are stupider than I am.

Assumption 2: If I tell people what to think, they will listen to me.

Assumption 3: If they do not listen to me, they will make grave mistakes and leave themselves open to exploitation, lies and worst of all, just plain wasting their time.

If you look at the old vanguard in print news (those ‘real’ journalists and columnists who don’t give a damn about anything; not readership, not advertising or business models, not nothing except their penned words and those of their ilk), you will see the above assumptions strike at you most glaringly in their criticism of the new ‘if it clicks, it’s good’ argument.

If you look at the TV industry, where ratings count to some degree and viewers can call in or appear onscreen to voice their opinion and engage with their content a little more than the teeny tiny letters to the editor column, you will see TV media folk put on at least the occasional pretense of respect for the “masses” who are grudgingly catered to – just enough to retain advertising on the news channel.

That is why TV is quite stupid and vacuous, holding little depth, argue the old vanguard. That is why print is the ultimate medium they say.

Well, what of the internet then?

Here is a medium that allows each user to not only consume content, but also enables them to respond to content, rate content, share content, engage the creators of the content and even make their own content. Suddenly, consumption of content (that which print and TV survive on) is no longer the sole driving force of the medium.

This is where those arcane assumptions listed above and held so dear (knowingly or unknowingly) by the old vanguard fall apart. The internet is, by its very nature, social, dynamic, responsive – an entity of information.

So are people stupid? Yes, they can be, but no more or less so than any other. For now, the stupidities of journalists and columnists are all visible as well. People are now accountable and contactable and their facts and ‘expert viewpoint’ can never truly match that of a targeted Google search. The flow of information (feedback and criticism, or the lack thereof) can be a truly humbling experience.

Will people listen to the old vanguard if they continue stuffing their material down people’s throats? No, they don’t have to – they have many other outlets for the very specific types of information they may be seeking. They may even be making their own. Telling people what to think no longer works like it used to when the very medium (TV, print, radio) was largely one way, with only a limited number of individuals contributing to the content. In fact, telling people what to think can seriously backfire in an online world, as it turns out, such an approach can be interpreted as “you think I’m an idiot?” – a message easily exchanged on the two-way internet highway.

Lastly, are people going to make greater mistakes, be exploited and lied to more easily now that the internet has fundamentally changed the nature of the dialogue and information flow by which decisions are made, life is lived? No. That was far more true for the old world, where a small vanguard of media folk in their mistaken belief about their inherent superiority, built up a limited (sometimes make-believe) world view which people turned to as the only truths available.

Let us come back to clicks, likes and tweets. But first I must point out, I myself have made a few generalisations in this article about the old vanguard, which is not an attack on the old forms of journalism, editorial judgment and writing, but an attempt to encapsulate the profound shift media has made online, and hopefully to address some misconceptions floating out there among media folk. The old vanguard are not (always) evil or arrogant, they are most commonly just mistaken and ignorant.

Let me take a sizable chunk out of Why Publishers Are About to Go Data Crazy by Sachin Kamdar, CEO and co-founder of Parse.ly, to explain:

After years of “one size fits all” social media measurement platforms, 2012 will be the year that publishers are going to be served with a variety of completely new offerings that are purpose-built for content-centric businesses (instead of bending an all-purpose tool to their will).

Publishers need to know what exactly caused an article to go viral — was it timely content that created a new trend? The guest author and her accompanying network? A particularly influential commenter? A confluence of factors?

Publishers generally already know what happened in the past. But what about the future?

Publishers need to know what content will perform well tomorrow, not just what did well last month. Cause and effect analysis on content that spreads through the social web is going to make the difference between tracking performance and optimizing for the future. It’s the difference between reactive and proactive.

You can expect to see a significant effort in the social media space to address the needs of publishers and content-driven organizations in 2012.

As social media tools that actively address the specific needs of publishers find their way into capable hands expect it to give birth to a completely new breed of journalist.

This is the new age of journalism; one where we will have to rethink what we term ‘good journalism’ or a ‘good editorial decision’ and the role of a good ‘opinion leader’. To continue to quote Kamdar:

If you saw “Page One,” the documentary about The New York Times, you might remember several scenes where editors sat around a big table discussing what stories should make the front page for the next day’s paper.

It’s almost comical, looking forward to 2012, to think of a newsroom going purely off of gut and intuition when making those decisions.

Next year, these editorial decisions will still require the knowledge and experience of editors who know their readership intimately well; but those editors will soon have a wealth of data at their fingertips to inform their opinions and, ultimately, editorial decisions.

Predictive analytics will give them a sense of how a story will perform, and real-time analytics will give them an up-to-the-second understanding of the collective interests of their readership.

But hunches and instinct will take a back seat to new kinds of technology-driven metrics.

Many newsrooms already use data to inform editorial decisions, but in 2012, it will become common practice to “interview the data” when designing an editorial calendar, or selecting featured articles and posts for the near future. In fact, many newsrooms will require it.

Some in the industry are concerned that the data-driven approach undermines the merits of existing methodologies. For instance, are we just creating an echo chamber if we do what the data says? Shouldn’t we publish an article that may not be in demand, but is important for our readers to see?

I’d argue that data-driven journalism isn’t so much about the data as it is absorbing it into the existing editorial decision-making processes. This creates a 1+1=3 effect whereby editors are given a new set of highly functional capabilities that improve their abilities to do what they do best. Think augmentation, heightening and exploring — not replacement or marginalization.

Herein lays the crux of Kumdar’s argument, and mine as well. What is popular – what drives clicks, likes and tweets cannot be misconstrued or devalued just because it does not fit into an old world view of what is ‘good’ in media. It is in fact, of primary value and will in future, drive editorial direction and policy making, not to mention hopefully restore the notion of a real business model for print, whereby media folk produce content people actually want and are willing to pay for. For those terrified of such an alien media landscape, this form of journalism is not out to replace or marginalize the old set of ideas, but is out to give it (us media folk) a major rethink and a major revision of our fundamental assumptions about the stupidity of those who consume the content we produce.

That is why when I make editorial decisions online on my desk, I always turn to the numbers, not because I am putting aside my own judgment, but because I wish to respect my readers enough to take a look. There are a number of occasions where the readers are wrong and some issues must be highlighted regardless of the clicks, Facebook likes and tweets (the 2011 floods in Pakistan being just one example), but media folk, trust me (until you start following your own analytics data more closely), the world of journalism is a lot freer and a lot more dynamic and intelligent due to reader input – whether that be in the form of a Facebook like, a tweet, a comment, or even the more passive click-through to an article.

To track reader input in 2011 for various stories on our site, visit:

You choice: Top stories of 2011

Flashback: Defining moments of 2011

The views expressed by the writer and the reader comments do not necessarily reflect the views and policies of The Express Tribune.

A five year old disappears mysterously

1327676231 14 A five year old disappears mysterously

Nkoranza (B/A), Jan. 26, GNA – Residents of Kransieso-Abarase Electoral Area in Nkoranza South District are living in fear and panic following the mysterious disappearance of a five-year-old girl on January 15, this year.    All efforts made by the mother, Ms Theresa Obeng, residents and the Police to locate the kindergarten pupil have proved futile.    Ms Theresa Obeng told the Ghana News Agency, her daughter was playing with toys in front of their house at about 1400 hours that fateful day but failed to return into the house in the evening.    She explained that when she realized her daughter had unusually over-stayed, she went to look for her from nearby houses but all to no avail.    With her suspicion heightened, she rushed to two local FM radio stations; Jerryson and Akyea and made public announcements about the missing daughter but as at Tuesday January 23, the child had still not been found.    Meanwhile Mr. Haruna Awudu, Assembly Member for the area, has advised nursing mothers to closely monitor the movements of their children to forestall kidnapping by suspected criminals reportedly operating in the area.    He urged them to take their young children along with them when leaving home or to entrust them into the care of grown up persons who could keep them safe.    Mr. Awudu told the Ghana News Agency (GNA) at Nkoranza that the disappearance of the girl, a pupil of the local Premier International Preparatory School, continued to create fear and panic among the people.   The Police are searching for the girl.GNA …

By admin

Be it Ash, Bob Dylan, Curtis Stigers, Eagles, David Bowie, Eurock, Elvis Costello, Lloyd Cole or Heather Nova to name a few, you can find posters of almost every concert legend on the Internet. And there was no surety of getting the tickets as concert get sold out in no time. The crowd had the opportunity to enjoy their favorite hits along with the incredible laser show that is characteristic of all Muse live performances. I, affectingly, must know music charts. Bye, bye concert ticket brokers. Try a tuning fork plus a piano to give the A note for a personal reference and also pluck the very first string. Be cautious when buying tickets for sale online. The truth of the matter is that this is not the case and as a result the team will be sent to a BCS game that will not be the National Championship.